Save As... Digital Memories (PDF)
(Sprache: Englisch)
This groundbreaking and truly interdisciplinary collection of essays examines how digital media technologies require us to rethink established conceptualisations of human memory in terms of its discourses, forms and practices.
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This groundbreaking and truly interdisciplinary collection of essays examines how digital media technologies require us to rethink established conceptualisations of human memory in terms of its discourses, forms and practices.
Autoren-Porträt
PAUL LONGLEY ARTHUR is a Research Fellow at the Australia Research Institute, Curtin University of Technology, Western AustraliaMARGARET ANNE CLARKE is Senior Lecturer in Portuguese at the University of Portsmouth, UK
ANDREW JAKUBOWICZ is Professor of Sociology and a director of the Centre for Cosmopolitan Civil Societies at the University of Technology, Sydney, Australia
JENNY KIDD is a Research Associate in the School of Arts, Histories and Cultures, University of Manchester, UK
BRUNO LESSARD is a SSHRC Postdoctoral Fellow in the Department of Film and in the Communication and Culture program at York University in Toronto, Canada
SIDNEY EVE MATRIX is Queen's National Scholar and Assistant Professor of Film and Media at Queen's University, Canada
SHAUN WILSON is an artist and curator, and also lectures in video and media theory in the School of Creative Media at RMIT University, Australia
Bibliographische Angaben
- 2009, 2009, 209 Seiten, Englisch
- Herausgegeben: J. Garde-Hansen, A. Hoskins, A. Reading
- Verlag: Springer-Verlag GmbH
- ISBN-10: 0230239412
- ISBN-13: 9780230239418
- Erscheinungsdatum: 28.05.2009
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Sprache:
Englisch
Pressezitat
'...an excellent overview of current discourse surrounding how we store, hold and deal with memories as a concept or product, when they are primarily created and/or experienced in digital form. I would strongly recommend this book to anyone entering or currently working within the areas of digital death or digital identity and heritage. The book creates an intriguing line of enquiry and draws the reader into a range of arguments, bipolarities, expanded examples, studies and sites, which are brought together in a coherent manner under the general theme of how new memory structures are augmenting human practices, cultures and even, to an extent, the idea of the human itself in a post-digital age. This book provides a contemporary analysis of the field of memory studies, which draws from the past and looks to the future.' - Stacey Pitsillides, Goldsmiths, University of London, International Journal of Performance, Arts and Digital Media
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