A Phenomenology of Musical Absorption / New Directions in Philosophy and Cognitive Science (PDF)
(Sprache: Englisch)
"Examining skilled performance in all its fascinating and mysterious intensity, Høffding reallylistens to his informants, developing exciting novel methods for interdisciplinary research onexpertise."-John Sutton, Professor of Cognitive Science, Macquarie...
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"Examining skilled performance in all its fascinating and mysterious intensity, Høffding really
listens to his informants, developing exciting novel methods for interdisciplinary research on
expertise."
-John Sutton, Professor of Cognitive Science, Macquarie University, Sydney, Australia
"A valuable addition to the growing field of music and philosophy, the results are as fascinating
as they are enlightening, and would be of interest to anyone seeking to explore the rich
complexity of musical experience and the ways in which it is possible - and indeed desirable -
to understand ourselves through it."
-Nanette Nielsen, Associate Professor, University of Oslo, Norway
"This is a study conducted from the inside out - starting inside the masterful musical
performances of the Danish String Quartet, explicated in a detailed set of interviews with the
musicians. Høffding brings the latest developments in phenomenology and cognitive science
to bear on these issues, and creates one of the rare places where expertise in phenomenology
meets expertise in musical performance - an overall performance not to be missed."
-Shaun Gallagher, Lillian and Morrie Moss Professor of Excellence, University of
Memphis, USA
This book presents a detailed analysis of what it means to be absorbed in playing music.
Based on interviews with one of the world's leading classical ensembles, "The Danish String
Quartet" (DSQ), it debunks the myth that experts cannot reflect while performing, but also
shows that intense absorption is not something that can be achieved through will, intention,
prediction or planning - it remains something individuals have to be receptive to. Based in
the phenomenological tradition of Husserl and Merleau-Ponty aswell as of Dan Zahavi and
Shaun Gallagher, it lays out the conditions and essential structures of musical absorption.
Employing the lived experience of the DSQ members, it also engages and challenges core ideas
in phenomenology, philosophy of mind, enactivism, expertise studies, musical psychology,
flow theory, aesthetics, dream- and sleep studies, psychopathology and social ontology, and
proposes a method that integrates phenomenology and cognitive science.
Simon Høffding is a postdoctoral researcher at the Department of Musicology, University of
Oslo, Norway.
Autoren-Porträt von Simon Høffding
Simon Høffding is a postdoctoral researcher at the Department of Musicology, University of Oslo, Norway. He obtained his PhD in 2015 at the Centre for Subjectivity Research, University of Copenhagen, Denmark, and has since held positions at the Interactive Minds Centre, University of Aarhus, and at the Department of Psychology, University of Copenhagen. His interests span phenomenology, philosophy of mind, enactivism, music, self-awareness, bodily awareness, expertise, aesthetics and cross-disciplinary methodologies. His work has been published in Phenomenology and the Cognitive Sciences, Journal of Consciousness Studies, Musicae Scientiae and Topoi as well as in The Oxford Handbook of Western Music and Philosophy.
Bibliographische Angaben
- Autor: Simon Høffding
- 2019, 1st ed. 2018, 282 Seiten, Englisch
- Verlag: Springer-Verlag GmbH
- ISBN-10: 303000659X
- ISBN-13: 9783030006594
- Erscheinungsdatum: 21.01.2019
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- Grösse: 2.63 MB
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Sprache:
Englisch
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