Gender, Otherness, and Culture in Medieval and Early Modern Art / The New Middle Ages (PDF)
(Sprache: Englisch)
This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconographic and...
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This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion honor, virtue, sexuality, and motherhood, among others.
Autoren-Porträt
Carlee A. Bradbury is Associate Professor of Art History at Radford University. Michelle Moseley-Christian is Associate Professor of Art History at Virginia Polytechnic Institute and State University.
Bibliographische Angaben
- 2017, 1st ed. 2017, 244 Seiten, Englisch
- Herausgegeben: Carlee A. Bradbury, Michelle Moseley-Christian
- Verlag: Springer-Verlag GmbH
- ISBN-10: 3319650491
- ISBN-13: 9783319650494
- Erscheinungsdatum: 29.11.2017
Abhängig von Bildschirmgrösse und eingestellter Schriftgrösse kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Dateiformat: PDF
- Grösse: 7.42 MB
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Sprache:
Englisch
Pressezitat
“The volume … summarizes the state of research and outlines the major theoretical issues in considering the intersection of gender, ‘otherness,’ and visual culture. … it should become a desiratum for scholars interested in gender.” (Diane Wolfthal, Early Modern Women Journal, Vol. 13 (2), 2019)
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