Bodies, Noise and Power in Industrial Music / Pop Music, Culture and Identity (PDF)
With its roots as early as the 1970s, industrial music...
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With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music's elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception.
The chapters have been carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women's collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the 'industrial' boundary and broadening the focus beyond white European industrial music.
Elizabeth Potter is a PhD student at the University of York. Her thesis focuses on William Blake's marginalia to The Works of Sir Joshua Reynolds (1798). She analyses the manuscript notes on material and conceptual levels to provide insight into Blake's aesthetics and artistic philosophies. Beyond her thesis, she is also interested in transatlantic studies, visual culture, and affect theory.
- 2022, 1st ed. 2022, 202 Seiten, Englisch
- Herausgegeben: Jason Whittaker, Elizabeth Potter
- Verlag: Springer International Publishing
- ISBN-10: 3030924629
- ISBN-13: 9783030924621
- Erscheinungsdatum: 09.03.2022
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- Dateiformat: PDF
- Grösse: 2.33 MB
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