The Teleportation Accident

excellent read. Daily Telegraph This is an unquestionably brilliant novel, ribald and wise in equal measure ... a witty and sometimes deeply moving fictional exegesis of the Modernist twilight. TLS A glorious, over-the-top production, crackling with inventive wit and seething with pitchy humour ... A beguiling success ... Ingenious ... There is such an easy felicity in Beauman's writing and such a clever, engaging wit ... that one feels he could write something as much fun every two years. The prospect of which makes me very, very happy indeed. Scotsman An extraordinary, Pynchonesque flea-circus of a book...Ned Beauman's pyrotechnical comic novel, his second, is as violently clever as you'd expect from his earlier book, BOXER, BEETLE... [a] frantically entertaining pasteboard extravaganza The Sunday Times He's done it again ... Beauman does adolescent male lust and anomie with the verve of a young Amis and this is a great romp of a novel, delightful in its inventiveness. Prospect A hoot - very clever and charming, with an awesone range of reference. Sunday Telegraph Funny, scandalous, decadent and erudite, THE TELEPORTATION ACCIDENT is a hugely enjoyable madness with flavours of Pynchon, Huysmans and Jerome K. Jerome. Nick Harkaway Beauman, whose first novel BOXER, BEETLE was widely acclaimed, sets out his stall as a latter-day Evelyn Waugh in this dazzling satire that begins in 1930s Berlin. Biting black comedy. The Times Ned Beauman is a very funny writer, but also a very serious one. His second novel is a glorious rigmarole of satire, insanity, genre tropes and aching romantic pain, but never doubt that it is an essentially serious book. Independent Its meticulously crafted plot skitters from sci-fi to noir thriller; with comedic interludes and some romance for added sizzle ... you'll be left bedazzled. Daily Mail Beauman has a huge gift for satire and the wry phrase...brought together so immaculately you never notice how hard he's working. Word Magazine A novel that turns everything on its head, Beauman's book is critical, funny and deliciously deviant. The List Ned Beauman is a writer of unceasing invention and his second novel is replete with ideas. Metro Popping with ideas, fizzing with vitality and great fun to quaff. Independent on Sunday Ned Beauman has written another very pleasing comic romp through the 1930s, offering a second offbeat perspective on the rise of the Third Reich. It is, once more, full of good jokes, erudite winks and historical whimsy ... Beauman excels at both the grand, jostling structure and the individual sentence. His similes are often inspired, his dialogue is frequently hilarious, and his ability to keep all the plates spinning, as the story dashes between years and continents, is very impressive. Literary Review Lovable, brilliant and entertaining ... Beauman takes a huge range of styles and genres and pushes them and bends them often to glorious effect ... Beauman has a huge talent for metaphor and simile and hits with almost all of them. My personal favourite was 'there was enough ice in her voice for a serviceable daiquiri' - very Raymond Chandler. Also brilliant are some of his characters - notably Colonel Gorge who suffers from 'ontological agnosia' brought on by sniffing too much of the car polish that has made him rich, which means that he cannot differentiate between pictures and reality. That this references back to the Brechtian approach to theatre is just one example of the cleverness of Beauman's approach. But mostly, Gorge is just hilarious ... Beauman is one of the most innovative young writers around and is one to follow. www.thebookbag.co.uk It is brilliantly witty, with a pace edging on breathless. Every stage is like the denouement of a great crime novel refigured as science. The reader is constantly challenged (and rewarded) as occurrences alternate between being clear and nebulous. Genuinely exhilarating. We Love This Book At times THE TELEPORTATION ACCIDENT is as bloody-mindedly difficult as Egon Loeser, but it builds slowly, brings its threads together with great skill, and Ned Beauman turns a good phrase as his characters dance their line between the cleverly obnoxious and the obnoxiously clever. SFX A shape-shifting, time-travelling, genre-teasing treat. Seven