The Hungry Tide
(Sprache: Englisch)
'Amitav Ghosh is such a fascinating and seductive writer... I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times
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'Amitav Ghosh is such a fascinating and seductive writer... I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times
Klappentext zu „The Hungry Tide “
FICTION / Literary
Autoren-Porträt von Amitav Ghosh
Amitav Ghosh was born in Calcutta in 1956. He studied at the Doon School; St. Stephens College; Delhi University; Oxford University; and the Faculty of Arts at the University of Alexandria. His first job was at the Indian Express newspaper in New Delhi. He earned his doctorate at Oxford before he wrote his first novel.In February 2004 Amitav Ghosh was appointed Visiting Professor in the Department of English at Harvard University. He is married with two children and lives in New York.
Bibliographische Angaben
- Autor: Amitav Ghosh
- 2005, 402 Seiten, Masse: 12,8 x 19,8 cm, Kartoniert (TB), Englisch
- Verlag: HarperCollins UK
- ISBN-10: 0007141785
- ISBN-13: 9780007141784
- Erscheinungsdatum: 03.05.2005
Sprache:
Englisch
Rezension zu „The Hungry Tide “
'An exceptional writer.' Peter Matthieson 'A novelist of dazzling ingenuity' San Francisco Chronicle 'A distinctive voice, polished and profound' Times Literary Supplement 'An absorbing story of a world in transition, brought to life through characters who love and suffer with equal intensity.' JM Coetzee 'Ghosh is one of the most sympathetic post-colonial voices to be heard today. He looks at love and loyalty, and examines the question of Empire and responsibility, of tradition and modernity.' Ahdaf Souief 'Ghosh has established himself as one of the finest prose writers of his generation of Indians writing in English' Financial Times 'Amitav Ghosh is such a fascinating and seductive writer!a deeply serious writer, sure of his human and historical insights and confident in his ability to communicate them. I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times 'Ghosh seamlessly blends ideas about the power of the photographic image with unforgettable descriptions of nature -- in a thoroughly enjoyable, intelligent epic that's bound to win him a wide and grateful readership'. Kirkus Reviews 'Ghosh's voice remains distinctive!it has a lush and sensuous quality which renders even the most historical of passages wonderfully readable.' Belfast Telegraph 'As always Ghosh wields his pen lightly, with supple prose being the order of the day.' Sunday Business Post 'Ghosh vividly brings to life the history of Burma and Malaya over a century of momentous change in this teeming, multigenerational saga.' Publishers Weekly 'You feel that Ghosh speaks with the true voice of the sub-continent, wise, superstitious and set firmly in age-old ritual.' Birmingham Post 'I will never forget the young and old Rajkumar, Dolly, the Princesses, the forests of teak, the wealth that made families and wars. A wonderful novel. An incredible story.' Grace Paley
Pressezitat
'An exceptional writer.' Peter Matthieson 'A novelist of dazzling ingenuity' San Francisco Chronicle
'A distinctive voice, polished and profound' Times Literary Supplement
'An absorbing story of a world in transition, brought to life through characters who love and suffer with equal intensity.' JM Coetzee
'Ghosh is one of the most sympathetic post-colonial voices to be heard today. He looks at love and loyalty, and examines the question of Empire and responsibility, of tradition and modernity.' Ahdaf Souief
'Ghosh has established himself as one of the finest prose writers of his generation of Indians writing in English' Financial Times
'Amitav Ghosh is such a fascinating and seductive writer...a deeply serious writer, sure of his human and historical insights and confident in his ability to communicate them. I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times
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