The Feldenkrais Method in Creative Practice
Dance, Music and Theatre
(Sprache: Englisch)
Bringing together scholars and researchers, this study investigates how the thinking of Moshe Feldenkrais (1904-84) can benefit and reflect upon the creative practices of dance, music and theatre. Offering historical, scientific and practical perspectives...
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Bringing together scholars and researchers, this study investigates how the thinking of Moshe Feldenkrais (1904-84) can benefit and reflect upon the creative practices of dance, music and theatre. Offering historical, scientific and practical perspectives that develop thinking at the heart of the Method, the volume provides insights into self-improvement, training, avoiding injury, history and philosophy of artistic practice, links between scientific and artistic thinking and practical thinking, as well as offering some exercises for students and artistic practitioners looking to improve their understanding of their practice.
Inhaltsverzeichnis zu „The Feldenkrais Method in Creative Practice “
TABLE OF CONTENTS List of Figures List of Contributors Foreword by Garet Newell Acknowledgements Introduction by Robert Sholl, University of West London, UK PART 1: Historical Perspectives on Creative Practice Chapter 1: Feldenkrais and the Modernist Body - Thomas Kampe, Bath Spa University, UK Chapter 2: Feldenkrais, Freud, Lacan, and Gould: how to love thyself not as thy neighbour - Robert Sholl, Royal Academy of Music, UK Chapter 3: Learning Through Feeling: How the Ideas of Nikolai Bernstein and Moshe Feldenkrais Apply to Performer Training - Dick McCaw, Royal Holloway, UK PART 2: From Science into Creative Practice Chapter 4: The Work of Dr Mosche Feldenkrais: A New Applied Kinesiology and a Radical Questioning of Training and Technique - Maxine Sheets-Johnstone, University of Oregon, USA Chapter 5: Radical Practice: Practising Performance and Practising Oneself is the Same Activity - Roger Russell, Feldenkraiszentrum, Heidelberg, Germany Chapter 6: Gaining insight on the impact of Feldenkrais Functional Integration in the context of piano playing: Considerations for measuring posture and movement quality: Part I: The Feldenkrais Method and Pianists: A pilot study of objective measurement of posture and movement - Jillian Beacon, University of Ottawa, Canada, Gilles Comeau, University of Ottawa, Canada and Donald Russell, Carleton University, Canada Chapter 7: Part II: Considerations for measuring posture and movement quality - Jillian Beacon, University of Ottawa, Canada, Gilles Comeau, University of Ottawa, Canada and Donald Russell, Carleton University, Canada PART 3: Studies in Creative Practice Chapter 8: Mapping Body Awareness onto Piano Performance for Artistic Rejuvenation - Alan Fraser, Alan Fraser Piano Institute, France Chapter 9: Building a Model for Injury Prevention in Music Pedagogy Rooted in Feldenkrais's Philosophy and Methodology for Learning - Lisa Burrell, Lone Star College, Houston, Texas, USA Chapter 10: A Sense of
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Safety: Polyvagal Theory, The Feldenkrais Method and the Acting Process - Victoria Worsley, Feldenkrais Guild, UK Chapter 11: Curing the Acting Habit - The Feldenkrais Method, Actors, compulsion, and the performing-arts industry - Mark Lacey, Independent scholar, UK Chapter 12: Tuning the Body: dancing and singing from rehearsal to performance - Marcia Carr, Independent scholar, UK Chapter 13: Food for no-thought . meandering between a personal somatic practice and Feldenkrais teaching - Sylvie Forth, professor at the Dance Department of University du Québec à Montréal, Canada Bibliography Index
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Autoren-Porträt
Robert Sholl has published widely on twentieth-century music, including Stravinsky, Berio, Birtwistle, Ferneyhough, Messiaen, Arvo Pärt. He is the editor of Messiaen Studies (with Sander van Maas); Contemporary Music and Spirituality; and is part of a Leverhulme-funded project on The Phantom of the Opera at the Guildhall School of Music and Drama. He has released improvisation to silent film on YouTube and is currently editing volumes on James MacMillan and Messiaen. Robert Scholl is a trained Feldenkrais practitioner.
Bibliographische Angaben
- 2022, 256 Seiten, Masse: 17 x 24,4 cm, Kartoniert (TB), Englisch
- Herausgegeben: Robert Sholl
- Verlag: Bloomsbury Academic
- ISBN-10: 1350203491
- ISBN-13: 9781350203495
- Erscheinungsdatum: 22.09.2022
Sprache:
Englisch
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