Smut

Alan Bennett has been one of our leading dramatists since the success of Beyond the Fringe in the 1960s. His television series Talking Heads has become a modern-day classic, as have many of his works for the stage, including Forty Years On, The Lady in the Van, A Question of Attribution, The Madness of King George Ill (together with the Oscar-nominated screenplay The Madness of King George) and an adaptation of Kenneth Grahame's The Wind in the Willows. The History Boys won Evening Standard, Critics' Circle and Olivier awards, as well as the South Bank Award. On Broadway, The History Boys won five New York Drama Desk Awards, four Outer Critics' Circle Awards, a New York Drama Critics' Award for Best Play, a New York Drama League Award and six Tonys including Best Play. The film of The History Boys was released in 2006. Alan Bennett's collection of prose, Untold Stories, won the PEN/Ackerley Prize for Autobiography, 2006. His 2009 play, The Habit of Art, received glowing reviews and was broadcast live the following year by National Theatre Live. In 2012 People premiered at the National Theatre to widespread critical acclaim. The film of The Lady in the Van starring Maggie Smith was released in 2015, sending Bennett's memoir of the same name to the top of the bestseller list for nine weeks. The film adaptation of the hit play The Lady in the Van is out now in the UK.Alan Bennett has been one of our leading dramatists since the success of Beyond the Fringe in the 1960s. His television series Talking Heads has become a modern-day classic, as have many of his works for the stage.
At the National Theatre, London, The History Boys won numerous awards including Evening Standard and Critics' Circle awards for Best Play, an Olivier for the Best New Play and the South Bank Award. His play The History Boys was the National Theatre's most successful production ever.
His collection of prose Writing Home was a number one bestseller. Untold Stories won the PEN/Ackerley Prize for

"'Beautiful and filthy' (Simon Hattenstone, Guardian) 'Amusingly peculiar... tender and comic... joyous anarchism... It is good, old-fashioned British humour with the lightest of subversive twists' (Arifa Akbar, Independent) 'Artfully entertaining... The stories have a dark, knowing shrewdness about erotic mischief, young and old... As always the writing is tonally perfect, laced with deadpan as well as bedpan comedy' (Simon Schama, FT)"

Beautiful and filthy Simon Hattenstone Guardian