Revelator
A novel
(Sprache: Englisch)
ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEAR The dark, gripping tale of a 1930 s family in the remote hills of the Smoky Mountains, their secret religion, and the daughter who turns her back on their mysterious god from the acclaimed...
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ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEAR The dark, gripping tale of a 1930 s family in the remote hills of the Smoky Mountains, their secret religion, and the daughter who turns her back on their mysterious god from the acclaimed author of Spoonbenders.Gods and moonshine in the Great Depression, written with a tenderness and brutality this is as good as novels get. Stephen Graham Jones, author of The Only Good Indians
In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy.
Years later, after a tragic incident that caused her to flee, Stella now a professional bootlegger returns for Motty's funeral, and to check on the mysterious ten-year-old girl named Sunny that Motty adopted. Sunny appears innocent enough, but she is more powerful than Stella could imagine and she s a direct link to Stella's buried past and her family's destructive faith.
Haunting and wholly engrossing, summoning mesmerizing voices and giving shape to the dark, Revelator is a southern gothic tale for the ages.
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Stella wallace met her family s god when she was nine years old. Later, she couldn t figure out why she didn t run when she saw it. It wasn t fear that pinned her to the spot, staring up at it, or even shock. It was something else. Awe, maybe. Wonder so deep it was almost adoration.
Pa said she d been born in the cove but they d left when she was too young to remember it. This was where her ma was born too, and where she d come back to die when she got sick. Where all the Birches before her had lived and died. He d never told Stella much more about it than that. He was a quiet man, could go days on a dozen words, like a camel crossing the desert. The day before, they d spent twelve hours together in the truck going from Chicago to Lexington, then another four this morning driving into the mountains, and the whole time the only one doing any talking was the truck, engine whining up the foothills, brakes complaining on the way down. Then the biggest climb, to the top of Rich Mountain. At the gap Pa pulled into a gravel overlook. He poured water into the Ford s ticking radiator, then rolled himself a cigarette. Stella crept to the edge of the gravel and peered down at a valley spread open like a green pool.
Is that it? This is the cove?
Pa nodded.
Where s Motty s house?
Her father squinted. Stupid question, she thought. Probably couldn t see it from here. She didn t expect him to answer, and then he pointed his cigarette at a high mountain to the east. That s Thunderhead. And over there . . . The tip of the cigarette swung south, pointed at a high, round bulge. That s yourn. Birch Bald.
My mountain, she thought. Not his.
Motty s is straight down from there.
They followed the twisting road into a valley as bright and warm as a bowl of light. Pa pulled onto a rutted lane, finally rolled to a stop in a grassy clearing in front of a white, tin-roofed house. A short ways off to the side, a gray, unpainted barn sat askew as if
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leaning into a stiff wind. Her father stared at the house for a long minute, sighed, ran a hand through his black hair.
A gray-haired woman came out onto the porch. Scrawny neck and thick arms in a no-color housedress. A long nose like a hawk. She held a tin can, as if she d just opened some beans.
Pa said, Well. Got out of the truck and Stella climbed out after him.
The woman was old, and her skin was marked like Stella s, splotches of red on her cheek, her neck, her arms, like a map of an island empire. The old woman s stains were dark where Stella s were bright red, but there was no mistaking them. They shared the same skin.
The woman gestured for Stella to come forward. Stella glanced at her father, but his eyes were on the hills, as if he were standing here alone.
The old woman gripped Stella s chin, tipped her head sideways, examining those blossoms of red. Stella burned with embarrassment. She kept her arms and legs covered when she could, but nothing could hide the marks on her neck and face. She learned to avoid looking strangers in the eye, afraid to see their disgust.
Motty said, You re a Birch, all right. Then she turned Stella s wrists and examined her palms.
She ain t done hard work, if that s what you re wondering, Pa said. I kept her in school.
The old woman grunted. Town girl.
Pa said to Stella, You stay here. Motty and I . . . need a word.
A word. Close to her father s limit. The two of them went up the steps to the porch, then inside.
After ten minutes of fanning gnats from her f
A gray-haired woman came out onto the porch. Scrawny neck and thick arms in a no-color housedress. A long nose like a hawk. She held a tin can, as if she d just opened some beans.
Pa said, Well. Got out of the truck and Stella climbed out after him.
The woman was old, and her skin was marked like Stella s, splotches of red on her cheek, her neck, her arms, like a map of an island empire. The old woman s stains were dark where Stella s were bright red, but there was no mistaking them. They shared the same skin.
The woman gestured for Stella to come forward. Stella glanced at her father, but his eyes were on the hills, as if he were standing here alone.
The old woman gripped Stella s chin, tipped her head sideways, examining those blossoms of red. Stella burned with embarrassment. She kept her arms and legs covered when she could, but nothing could hide the marks on her neck and face. She learned to avoid looking strangers in the eye, afraid to see their disgust.
Motty said, You re a Birch, all right. Then she turned Stella s wrists and examined her palms.
She ain t done hard work, if that s what you re wondering, Pa said. I kept her in school.
The old woman grunted. Town girl.
Pa said to Stella, You stay here. Motty and I . . . need a word.
A word. Close to her father s limit. The two of them went up the steps to the porch, then inside.
After ten minutes of fanning gnats from her f
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Autoren-Porträt von Daryl Gregory
DARYL GREGORY is the author of Spoonbenders, Afterparty, The Devil's Alphabet, and other novels. His novella We Are All Completely Fine won the World Fantasy Award and the Shirley Jackson Award.
Bibliographische Angaben
- Autor: Daryl Gregory
- 2021, 352 Seiten, Masse: 15,3 x 21,7 cm, Gebunden, Englisch
- Verlag: KNOPF
- ISBN-10: 052565738X
- ISBN-13: 9780525657385
- Erscheinungsdatum: 06.09.2021
Sprache:
Englisch
Pressezitat
ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEARRevelator is a thing of beauty, brutal in the vein of Cormac McCarthy, a novel in the Southern Gothic tradition that is fresh and deeply disturbing.
Danielle Trussoni, The New York Times
Revelator is a brisk work of Southern Gothic horror and an intriguing, female-centric portrait of a family in conflict. It s funny, too . . . [Stella is] a complex character, a pleasure to follow for 300-plus pages . . . An intrafamilial battle ensues, fueling the book s eventful closing chapters and solving some mysteries surrounding the god. Kevin Canfield, San Francisco Chronicle
In Revelator, Gregory has constructed a twisty, unnerving story that reveals its secrets [judiciously] . . . [Gregory] has a talent for writing outcasts, for conjuring empathy and sympathy for those left to toil in the margins. That talent is certainly on display in Revelator, where it s damn near impossible not to root for Stella but also for the family of choice she finds along the way . . . Revelator is a book of few heroes and many villains, but more than anything, it s a book for the people mostly women who get caught in the path of both.
Nicole Hill, Tor Nightfire
Daryl Gregory never fails to conjure a uniquely enthralling reading experience. With Revelator, he expertly mixes Tennessee bootlegging, the fervor of old time religion, and a new, hungry god in the mountain. Humane, heady, and thrilling, you'll believe in Revelator."
Paul Tremblay, author of A Head Full of Ghosts and Survivor Song
Gods and moonshine in the Great Depression, written with a tenderness and brutality only Daryl Gregory could have done this is as good as novels get.
Stephen Graham Jones, author of The Only Good Indians
Revelator is a brilliant, dark examination of glorious horror and horrific glory. A monstrous, hypnotic tale of worship, devotion, and family secrets I'll be
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thinking about this one for a long time.
Sarah Gailey, author of The Echo Wife
Gregory has spun a strange, haunting tale about faith, greed, and power and the families we choose and the ones we cannot escape. You won t be able to put it down until you see what s at the bottom of the cavern.
Peng Shepherd, author of The Book of M
Daryl Gregory has gifted readers with a period horror novel that somehow feels completely modern, a fast-paced ghost train through a labyrinth of dark wonders. Revelator is the perfect autumn read for fans of the Southern Gothic and the Weird.
Shaun Hamill, author of A Cosmology of Monsters
Gripping . . . Gregory s novel is packed to the gills with action and suspense, and he has an enviable skill for characterization . . . The Smoky Mountains of Tennessee become a character as well, and Gregory writes about them beautifully. This is an excellent work of horror, perfectly structured and dark as a Tennessee night. Smart, original, and scary as hell.
Kirkus Reviews, starred
Full of matter-of-fact descriptions of unthinkable horror, Revelator is both weird and wonderful . . . Revelator is full of surprises both fascinating and stomach-clenching . . . Revelator [serves] a slice of cold terror, paired with a view of humanity that is equal parts revelatory and humbling.
BookPage, starred
An addictive tale of historical horror . . . Gregory ratches up the tension in stunning prose . . . a thrilling ride.
Publishers Weekly
Sarah Gailey, author of The Echo Wife
Gregory has spun a strange, haunting tale about faith, greed, and power and the families we choose and the ones we cannot escape. You won t be able to put it down until you see what s at the bottom of the cavern.
Peng Shepherd, author of The Book of M
Daryl Gregory has gifted readers with a period horror novel that somehow feels completely modern, a fast-paced ghost train through a labyrinth of dark wonders. Revelator is the perfect autumn read for fans of the Southern Gothic and the Weird.
Shaun Hamill, author of A Cosmology of Monsters
Gripping . . . Gregory s novel is packed to the gills with action and suspense, and he has an enviable skill for characterization . . . The Smoky Mountains of Tennessee become a character as well, and Gregory writes about them beautifully. This is an excellent work of horror, perfectly structured and dark as a Tennessee night. Smart, original, and scary as hell.
Kirkus Reviews, starred
Full of matter-of-fact descriptions of unthinkable horror, Revelator is both weird and wonderful . . . Revelator is full of surprises both fascinating and stomach-clenching . . . Revelator [serves] a slice of cold terror, paired with a view of humanity that is equal parts revelatory and humbling.
BookPage, starred
An addictive tale of historical horror . . . Gregory ratches up the tension in stunning prose . . . a thrilling ride.
Publishers Weekly
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