Horror: A Very Short Introduction
(Sprache: Englisch)
Fear is one of the most primal emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? Delving into the darkest corners of horror literature, films, and plays, Darryl Jones explores its monsters and its psychological...
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Fear is one of the most primal emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? Delving into the darkest corners of horror literature, films, and plays, Darryl Jones explores its monsters and its psychological chills, discussing why horror stories disturb us, and how they reflect society's taboos.
Klappentext zu „Horror: A Very Short Introduction “
Very Short Introductions: Brilliant, Sharp, Inspiring Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that.
As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies?
Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.
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First published in hardback as Sleeping with the Lights on.
First published in hardback as Sleeping with the Lights on.
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Inhaltsverzeichnis zu „Horror: A Very Short Introduction “
- Introduction
- 1: Monsters
- 2: The occult and the supernatural
- 3: Horror and the body
- 4: Horror and the mind
- 5: Science and horror
- 6: Afterword: horror since the millenium
- Further Reading
- Index
Autoren-Porträt von Darryl Jones
Darryl Jones is Professor of English and Dean of the Faculty of Arts, Humanities and Social Sciences at Trinity College Dublin, where he teaches nineteenth-century literature and popular fiction. His books include Horror: A Thematic History in Fiction and Film (2002), the Oxford World's Classics editions of M. R. James's Collected Ghost Stories (2011), and Horror Stories: Classic Tales from Hoffmann to Hodgson (2014). He has also written numerous articles on nineteenth-century fiction and supernatural literature.Bibliographische Angaben
- Autor: Darryl Jones
- 2021, 176 Seiten, Masse: 11,4 x 17,4 cm, Kartoniert (TB), Englisch
- Verlag: Oxford University Press
- ISBN-10: 0198755562
- ISBN-13: 9780198755562
- Erscheinungsdatum: 19.05.2021
Sprache:
Englisch
Pressezitat
Review from previous edition What comes across most vividly is [Jones's] passion for the subject: this is a book that makes a reader want to read, to watch, and to listen more carefully. Oxford University Press, too, are to be commended for the low retail price and the quality production ... This is a fine introduction to, and defence of, a typically various popular form. In an age of anxieties new and old, Jones's exploration of taboo, control, and the politics of fear, seems particularly timely and potent. Sean Hewitt, The Irish Times
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