Hammer
(Sprache: Englisch)
An art auction house employee helps a Russian oligarch sell his prized collection, ensnaring himself in a dangerous romance and an even more treacherous political plot.
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An art auction house employee helps a Russian oligarch sell his prized collection, ensnaring himself in a dangerous romance and an even more treacherous political plot.
Klappentext zu „Hammer “
An art auction house employee helps a Russian oligarch sell his prized collection, ensnaring himself in a dangerous romance and an even more treacherous political plot.It's 2013, and much of the world still reels from the global economic collapse. Yet in the auction rooms of London, artworks are selling for record-breaking prices. Seeking a place in this gilded world is Martin, a junior specialist at a prestigious auction house. Martin spends his days catering to the whims of obscenely wealthy clients and his nights drinking in grubby pubs with his demoralized roommate. However, a chance meeting with Marina, an old university friend, presents Martin with a chance to change everything.
Pursuing distraction from her failing marriage and from a career she doesn't quite believe in, Marina draws Martin into her circle and that of her husband, Oleg, an art-collecting oligarch. Shaken by the death of his mother and chafing against his diminishing influence in his homeland, Oleg appears primed to change his own life-and perhaps to relinquish his priceless art collection long coveted by London's auction houses. Martin is determined to secure the sale and transform his career. But his ambitions are threatened by factors he hasn't reckoned with: a dangerous attraction between himself and Marina, and half-baked political plans through which Oleg aims to redeem himself and Russia but which instead imperil the safety of the oligarch and all those around him.
Hammer is a riveting, ambitious novel-at once a sharp art world exposé, a tense geopolitical thriller, and a brooding romance-that incisively explores the intersection of wealth, power, and desire.
Lese-Probe zu „Hammer “
Chapter 1 1 OCTOBER LIGHT. Afternoon light. He strides back to work along Mayfair streets with his sandwich in its little triangular piece of packaging.
Summer, when it came, came late, but now the good weather is hanging on into these shortened autumnal days. He walks through Berkeley Square, across the small park in the middle of it. The plane trees rustle with a breeze unfelt at street level, shedding substantial leaves, which descend slowly enough to surprise the eye, as though through liquid. Businessmen out, eating lunches, their ties removed, collars loosened. A woman with her back against the trunk of a tree in her skirt suit, her shoes off, her feet placed together on the dry dirt beneath the spreading roots. A couple cross-legged on the grass, each on a plastic bag rent open to its maximum extent.
It is a wishful performance, Martin thinks, as if Londoners hope that the embrace of these fine days can somehow prolong them, as if the inhabitants of the city think that they can dream it southward.
At the exit of the square, a bustle of pigeons peck at crumbs beneath a bench, brazen, flapping off only as he is almost upon them, and then taking back the space with their Mick Jagger struts as soon as he has passed. He pauses at the road as a taxi accelerates to beat the lights. He crosses, heads for the auction house.
The afternoon trade is picking up in the boutiques and the art shops. He sees the assistants at work. Greeting, straining to not strain. Working to facilitate, to go unnoticed until needed. See-through men and women like him. Chameleons or shades. Some classical category of the damned or forgotten.
ONE CAN feel the imminence of the contemporary sale as soon as one is through the doors. Thronging of people taking their last looks at the lots-a few prospective buyers, and then the enthusiasts, the art students, the odd tourist wandered in. The clatter of the end of lunch service in the restaurant. The clip at which the other
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staff go about their tasks. The phones ringing. The clanking of the freight elevator, audible from the reception area, as tables, chairs, and pieces of camera equipment are moved for tonight's event.
Martin climbs the crème-carpeted stairs toward the upper galleries. The first time he came to the auction house he was surprised by the homeliness of the décor-not the sterile white finish of the contemporary gallery, but something closer to a decent regional hotel. Part of the house's ethos is expressed in this choice, Martin supposes: the assertion of its existence before the modern gallery, prior to the reverential emptiness of the contemporary space.
He passes through another door toward the offices, climbs a set of steep stairs. An anxiety has been rising through him all week, as is normal when sales approach. He sits at his desk and eats his sandwich-a damp prawn mayonnaise that clags around his gums. It is the last he will eat until after the auction is done.
He will be bidding on behalf of one of the house's clients, and he broods on this as the afternoon stretches on. One must simply raise one's paddle and speak clearly, and yet in such simplicity lie old anxieties: the voiceless cries of bad dreams, the wince of answering a roll call at a new school.
AT FIVE, a text from James, his housemate and childhood friend. Have you done your team yet? Martin has forgotten about fantasy football, about the midweek round of Premier League fixtures. Despite all the bustle around him, he logs onto the website for a moment, makes a couple of substitutions. James will have spent hours this morning poring over his selections, and Martin feels he must make some effort of his own.
At six, he changes i
Martin climbs the crème-carpeted stairs toward the upper galleries. The first time he came to the auction house he was surprised by the homeliness of the décor-not the sterile white finish of the contemporary gallery, but something closer to a decent regional hotel. Part of the house's ethos is expressed in this choice, Martin supposes: the assertion of its existence before the modern gallery, prior to the reverential emptiness of the contemporary space.
He passes through another door toward the offices, climbs a set of steep stairs. An anxiety has been rising through him all week, as is normal when sales approach. He sits at his desk and eats his sandwich-a damp prawn mayonnaise that clags around his gums. It is the last he will eat until after the auction is done.
He will be bidding on behalf of one of the house's clients, and he broods on this as the afternoon stretches on. One must simply raise one's paddle and speak clearly, and yet in such simplicity lie old anxieties: the voiceless cries of bad dreams, the wince of answering a roll call at a new school.
AT FIVE, a text from James, his housemate and childhood friend. Have you done your team yet? Martin has forgotten about fantasy football, about the midweek round of Premier League fixtures. Despite all the bustle around him, he logs onto the website for a moment, makes a couple of substitutions. James will have spent hours this morning poring over his selections, and Martin feels he must make some effort of his own.
At six, he changes i
... weniger
Autoren-Porträt von Joe Mungo Reed
Joe Mungo Reed was born in London and raised in Gloucestershire, England. He has a degree in philosophy and politics from the University of Edinburgh, an MFA in creative writing from Syracuse University, and a PhD in creative writing from the University of Manchester. He is the author of the novel, We Begin Our Ascent, and his short stories have appeared in VQR, the London Evening Standard, and Corriere della Sera. He is currently living in Edinburgh, UK.
Bibliographische Angaben
- Autor: Joe Mungo Reed
- 2023, 352 Seiten, Masse: 13,9 x 21,2 cm, Kartoniert (TB), Englisch
- Verlag: Simon & Schuster US
- ISBN-10: 1982121637
- ISBN-13: 9781982121631
- Erscheinungsdatum: 26.04.2023
Sprache:
Englisch
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