From Modernism to Postmodernism
Between Universal and Local
(Sprache: Englisch)
The book explores two radical changes of cultural and social paradigm that determined the World after 1945. It tries to establish the connection between the central modernistic idea of a radical break and postmodern pluralism. These turnarounds are...
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The book explores two radical changes of cultural and social paradigm that determined the World after 1945. It tries to establish the connection between the central modernistic idea of a radical break and postmodern pluralism. These turnarounds are investigated from various theoretical and historical viewpoints.
Klappentext zu „From Modernism to Postmodernism “
The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar «universality» was also a characteristic of musical serialism.From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.
Inhaltsverzeichnis zu „From Modernism to Postmodernism “
Preface ............................................................................................................................9Theoretical Basis
Gregor Pompe
Postmodernism in Society and Art: An Overview ................................................17
Helmut Loos
Modernity - Postmodernity. Controversial Core Structures
of Musical Thinking ...................................................................................................33
Petra Ceferin
The Creative Practice (of Architecture): Insisting on the In-Between ................43
Niksa Gligo
Globalization and/or Pluralism: But What about Musics, Their Styles,
Techniques and Musicology? ....................................................................................55
From Modernism ...
Grazina Daunoravicien
Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as
an Example of European Modernism in its Early Stages ......................................71
Manuel Farolfi
Modernism at Work in Pierre Boulez's Writings, 1948-952 ........................... 107
Hei Yeung John Lai
Rethinking Form: A Structural Analysis of Constellation-Miroir,
Formant 3 of Boulez's Third Piano Sonata ........................................................... 127
Ka-man Choi
Textual Permutation in Mauricio Kagel's Anagrama (1957-958):
New Modes of Serial Thought ............................................................................... 153
6 Contents
Cristina Scuderi
Contemporary Opera and Musical Theatre on Italian Stages Between the
Second Postwar Period and the End of the 1960s: Notes for an Overview ..... 165
...to Postmodernism
Juija Jonae
From Modernism to Postmodernism: The Modulation and
... mehr
Correlation between Two Styles in the Context of
Musical Works by Sacred Minimalists .................................................................. 177
Moeko Hayashi
Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193
Gregor Pompe
Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and
Leonard Bernstein's Mass: European and American postmodernism, or
pluralism vs. eclecticism ......................................................................................... 207
Jana Majerova
Musical Quotation as a Fundamental Way for Expressing a
Message in the Work of Alfred Schnittke ............................................................. 231
Simone Heilgendorff
Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn
after the Year 2000 in a Comparative Perspective: European or
National Forums for Contemporary Art Music and Culture? .......................... 253
Alessandro Miani
A Language-Based Approach to Music and Intertextuality ............................... 267
Milena Bozhikova
Contemporary Music between History and Eschatology .................................. 279
Postmodernism in Eastern Europe
Jais Kudi sP eris Vasks as Neo-Romantic: Characteristic Style Signs of
Latvian Composer Symphonic Music in the Context of Postmodern
Culture and Art ........................................................................................................ 303
Kamil Rupeikait
The Semantics of the Music of Anatolijus Senderovas ....................................... 327
Joanna Schiller-Rydzewska
Different Faces of Postmodernism in the Works of Contemporary
Composers of the Gdansk Milieu ......................................................................... 337
Tatiana Pirnikova
The Way from Modernist Positions to the Intimate Lyrical Position
of the Composer Oto Ferenczy .............................................................................. 353
Niall O'Loughlin
Lojze Lebic: Modernism and the Vernacular ...................................................... 361
Ira Prodanov Krajisnik
Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness ........... 377
Correlation between Two Styles in the Context of
Musical Works by Sacred Minimalists .................................................................. 177
Moeko Hayashi
Modernism, Postmodernism and Globalism: Takemitsu, November Steps ..... 193
Gregor Pompe
Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and
Leonard Bernstein's Mass: European and American postmodernism, or
pluralism vs. eclecticism ......................................................................................... 207
Jana Majerova
Musical Quotation as a Fundamental Way for Expressing a
Message in the Work of Alfred Schnittke ............................................................. 231
Simone Heilgendorff
Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn
after the Year 2000 in a Comparative Perspective: European or
National Forums for Contemporary Art Music and Culture? .......................... 253
Alessandro Miani
A Language-Based Approach to Music and Intertextuality ............................... 267
Milena Bozhikova
Contemporary Music between History and Eschatology .................................. 279
Postmodernism in Eastern Europe
Jais Kudi sP eris Vasks as Neo-Romantic: Characteristic Style Signs of
Latvian Composer Symphonic Music in the Context of Postmodern
Culture and Art ........................................................................................................ 303
Kamil Rupeikait
The Semantics of the Music of Anatolijus Senderovas ....................................... 327
Joanna Schiller-Rydzewska
Different Faces of Postmodernism in the Works of Contemporary
Composers of the Gdansk Milieu ......................................................................... 337
Tatiana Pirnikova
The Way from Modernist Positions to the Intimate Lyrical Position
of the Composer Oto Ferenczy .............................................................................. 353
Niall O'Loughlin
Lojze Lebic: Modernism and the Vernacular ...................................................... 361
Ira Prodanov Krajisnik
Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness ........... 377
... weniger
Autoren-Porträt von Gregor Pompe, Katarina Bogunovic Hocevar, Nejc Sukljan
Katarina Bogunovi´c Hoc evar works as an Assistant Professor at the Department of Musicology at the Faculty of Arts, University of Ljubljana. Her research interests include the history of 19th and first half of 20th century music, the history of Slovene music and the aesthetics of music.Gregor Pompe studied comparative literature, German language and musicology at the Faculty of Arts, University of Ljubljana. He works as an Associate Professor at the Department of Musicology at the Faculty of Arts in Ljubljana. His scientific interest focuses on the problem of musical semantics, the history of opera and contemporary music.Nejc Sukljan studied musicology and general history at the Faculty of Arts, University of Ljubljana. He works as an Assistant at the Department of Musicology at the Faculty of Arts, University of Ljubljana.
Bibliographische Angaben
- Autoren: Gregor Pompe , Katarina Bogunovic Hocevar , Nejc Sukljan
- 2016, Neuausgabe, 402 Seiten, Masse: 15,3 x 21,6 cm, Gebunden, Englisch
- Herausgegeben: Gregor Pompe, Katarina Bogunovic Hocevar, Nejc Sukljan
- Verlag: Peter Lang Ltd. International Academic Publishers
- ISBN-10: 363167144X
- ISBN-13: 9783631671443
- Erscheinungsdatum: 10.08.2016
Sprache:
Englisch
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