Fellowship Point
A Novel
(Sprache: Englisch)
NATIONAL BESTSELLER
"Engrossing...studded with wisdom about long-held bonds." -People, Book of the Week
"Enthralling, masterfully written...rich with social and psychological insights." -The New York Times Book Review
...
"Engrossing...studded with wisdom about long-held bonds." -People, Book of the Week
"Enthralling, masterfully written...rich with social and psychological insights." -The New York Times Book Review
...
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Produktinformationen zu „Fellowship Point “
NATIONAL BESTSELLER
"Engrossing...studded with wisdom about long-held bonds." -People, Book of the Week
"Enthralling, masterfully written...rich with social and psychological insights." -The New York Times Book Review
"A magnificent storytelling feat." -The Boston Globe
The "utterly engrossing, sweeping" (Time) story of a lifelong friendship between two very different "superbly depicted" (The Wall Street Journal) women with shared histories, divisive loyalties, hidden sorrows, and eighty years of summers on a pristine point of land on the coast of Maine, set across the arc of the 20th century.
"Engrossing...studded with wisdom about long-held bonds." -People, Book of the Week
"Enthralling, masterfully written...rich with social and psychological insights." -The New York Times Book Review
"A magnificent storytelling feat." -The Boston Globe
The "utterly engrossing, sweeping" (Time) story of a lifelong friendship between two very different "superbly depicted" (The Wall Street Journal) women with shared histories, divisive loyalties, hidden sorrows, and eighty years of summers on a pristine point of land on the coast of Maine, set across the arc of the 20th century.
Klappentext zu „Fellowship Point “
NATIONAL BESTSELLER"Engrossing...studded with wisdom about long-held bonds." -People, Book of the Week
"Enthralling, masterfully written...rich with social and psychological insights." -The New York Times Book Review
"A magnificent storytelling feat." -The Boston Globe
The "utterly engrossing, sweeping" (Time) story of a lifelong friendship between two very different "superbly depicted" (The Wall Street Journal) women with shared histories, divisive loyalties, hidden sorrows, and eighty years of summers on a pristine point of land on the coast of Maine, set across the arc of the 20th century.
Celebrated children's book author Agnes Lee is determined to secure her legacy-to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders is her best friend, Polly.
Polly Wister has led a different kind of life than Agnes: that of a well-off married woman with children, defined by her devotion to her husband, a philosophy professor with an inflated sense of stature. She strives to create beauty and harmony in her home, in her friendships, and in her family. Polly soon finds her loyalties torn between the wishes of her best friend and the wishes of her three sons-but what is it that Polly wants herself?
Agnes's designs are further muddied when an enterprising young book editor named Maud Silver sets out to convince Agnes to write her memoirs. Agnes's resistance cannot prevent long-buried memories and secrets from coming to light with far-reaching repercussions for all.
"An ambitious and satisfying tale" (The Washington Post), Fellowship Point reads like a 19th-century epic, but it is entirely contemporary in its "reflections
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on aging, writing, stewardship, legacies, independence, and responsibility. At its heart, Fellowship Point is about caring for the places and people we love...This magnificent novel affirms that change and growth are possible at any age" (The Christian Science Monitor).
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Lese-Probe zu „Fellowship Point “
Chapter 1: Agnes, Philadelphia, March 2000 CHAPTER 1 Agnes, Philadelphia, March 2000 SUCH A PERFECT DAY FOR writing, gray and quiet. But nothing came to her. Not a sentence, not a phrase, not a word worth keeping. Her wastebasket was full. Her pile of index cards was robust. Graph paper covered with diagrams was neatly pinned to a sheet of felt on the wall. But the spot where her stack of usable pages usually accumulated was an empty nest.
This had never happened to her before. Agnes Lee had written six novels and dozens of books for children without hesitation, composing and rewriting and tossing, fearlessly killing her darlings, trusting many more would come along-not to mention volumes of journals and logs secreted in a captain's trunk in an attic room at the cottage, and lots of articles and essays under various witty pseudonyms. She might rewrite an entire manuscript, but she'd never before been at a loss at this juncture, after her research had produced new material and the time had come to sit down and draft the book. The words had always arrived. Her writing was on tap. All she had to do was pull down on the handle and out it flowed. That fact was at the center of her self-conception. She wrote. If she couldn't, if the tap was dry, then what?
This sorry state-that was what. She was racing through barrels of Rapidograph ink, and wearing down a new pencil sharpener. Yet her book, her novel, the work that would round out a series written over decades, had garnered a usable word count of zero. All winter, she'd gotten nothing done.
Agnes had lost hope for today, too, but her allotted writing time wasn't up yet. So she sat. Her rule was five hours, and dammit she'd put in five hours. Habits filled in the fissures of an aging body and mind, and she couldn't afford to let them go. She'd seen her mother attempt to do a few sit-ups on her deathbed, and though Agnes felt little but a generic filial regard for that soulless snob, in that moment she hoped
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she'd be as disciplined at the last. She kept an inviolable schedule, afforded by some inheritance and abetted by having had the vocation of writing for the last nearly sixty years. Rarely did she have to compromise for anyone, a privilege she did not take for granted and refused to squander. She was eighty, but she had not slowed down. Just the opposite. Her remaining work was urgent, and she was well aware of working alongside the specter of the unknown moment of her last breath.
Since Mrs. Blundt had placed the mail by Agnes's place at lunch, and her perusal of several of the items had brought agitation into her controlled small world, she'd been particularly distracted. She paced her room and looked out the window and paced again. She allowed herself to pace into the living room, too, as long as she kept her mind in her work. Mrs. Blundt had bought fragrant lilies and Agnes dropped her nose into their midst, inhaling heaven. She walked to the window next. She had a good view from her third-floor apartment. The brown flora and collapsed grass in Rittenhouse Square hung on with stoic forbearance. People crossing through had scarves in place of faces and bodies obscured by masses of cloth or fur. Every so often they looked up at the sky, and Agnes followed their gaze in search of early flakes. Snow was general all over Ireland. A line from Joyce's "The Dead." Her eyes pricked. She rarely cried at life, but certain turns of phrase prompted hot tears to sting her cheeks. She squeezed the bridge of her nose, pinching off the emotion. Blizzard, she thought, a word that cooled her off. A blizzard was predicted that would leave a few inches over Philadelphia. The prospect of a rinsed landscap
Since Mrs. Blundt had placed the mail by Agnes's place at lunch, and her perusal of several of the items had brought agitation into her controlled small world, she'd been particularly distracted. She paced her room and looked out the window and paced again. She allowed herself to pace into the living room, too, as long as she kept her mind in her work. Mrs. Blundt had bought fragrant lilies and Agnes dropped her nose into their midst, inhaling heaven. She walked to the window next. She had a good view from her third-floor apartment. The brown flora and collapsed grass in Rittenhouse Square hung on with stoic forbearance. People crossing through had scarves in place of faces and bodies obscured by masses of cloth or fur. Every so often they looked up at the sky, and Agnes followed their gaze in search of early flakes. Snow was general all over Ireland. A line from Joyce's "The Dead." Her eyes pricked. She rarely cried at life, but certain turns of phrase prompted hot tears to sting her cheeks. She squeezed the bridge of her nose, pinching off the emotion. Blizzard, she thought, a word that cooled her off. A blizzard was predicted that would leave a few inches over Philadelphia. The prospect of a rinsed landscap
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Autoren-Porträt von Alice Elliott Dark
Alice Elliott Dark is the author the novels Fellowship Point and Think of England, as well as two collections of short stories, In the Gloaming and Naked to the Waist. Her work has appeared in The New Yorker, Harper's, The New York Times, Best American Short Stories, and O. Henry: Prize Stories, among others. Her award-winning story "In the Gloaming" was made into two films and was chosen for inclusion in Best American Stories of the Century. Dark is a past recipient of a National Endowment for the Arts Fellowship. She is an associate professor at Rutgers-Newark in the MFA program.
Bibliographische Angaben
- Autor: Alice Elliott Dark
- 2023, 608 Seiten, Masse: 13,3 x 20,3 cm, Kartoniert (TB), Englisch
- Verlag: Simon & Schuster US
- ISBN-10: 1982131829
- ISBN-13: 9781982131821
- Erscheinungsdatum: 08.05.2023
Sprache:
Englisch
Pressezitat
"It is very much an epic read, a book for readers who want to settle in for a story at a near whopping 600 pages by the author of one of my favorite short stories ever, 'In the Gloaming.'"-John Searles, NYTimes-Bestselling Author of Strange but True, via The Today Show "5 Summer Reads You Won't Want to Put Down"
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