Dress and Cultural Difference in Early Modern Europe
(Sprache: Englisch)
Dress is a key marker of difference. It is closely attached to the body, part of the daily routine, and an unavoidable means of communication. The clothes people wear tell stories about their allegiances and identities but also about their exclusion and...
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Dress is a key marker of difference. It is closely attached to the body, part of the daily routine, and an unavoidable means of communication. The clothes people wear tell stories about their allegiances and identities but also about their exclusion and stigmatization. They allow for the display of wealth and can mercilessly display poverty and indigence. Clothes also enable people to play with identities and affinities: for instance, individuals can claim higher social status via their clothes. In many ways, dress is thus open to manipulation by the wearer and misinterpretation by the observer. Authorities-whether religious or secular, local or regional-have always aimed at imposing order on this potential muddle. This is particularly true for the early modern era, when the world became ever more complex. In Europe, the composition of societies diversified with the emergence of new social groups and increasing migration and travel. Thanks to intensified long-distance trade and technological developments, new fashionable clothes and accessories entered the market. With the emergence of a consumer culture, it was now the case that not only the extremely wealthy could afford at least the occasional indulgence in luxury items and accessories.
Over recent years, research has focused on a variety of areas related to dress and appearance in the context of early-modern political, socio-economic, and cultural transformations both within Europe and related to its entanglement with other parts of the world. Nevertheless, a significant compartmentalization in the research on dress and appearance remains: research is often organized around particular cities and territories, and much research is still framed by modern national boundaries. This special issue looks at dress and its perception in Europe from a transcultural perspective and highlights the many differences that clothing can express.
Inhaltsverzeichnis zu „Dress and Cultural Difference in Early Modern Europe “
Cornelia Aust, Denise Klein, and Thomas Weller Introduction
Gabriel Guarino
"The Antipathy between French and Spaniards": Dress, Gender, and Identity in the Court Society of Early Modern Naples, 1501-1799
Maria Hayward
''a sutte of black which will always be of use to you'': Expressions of difference and similarity in the clothing choices of the Scottish male elite travelling in Europe, 1550-1750
Tomas Weller
"He knows them by their dress": Dress and Otherness in Early Modern Spain
Flora Cassen
Jewish travelers in Early Modern Italy: Visible and Invisible Resistance to the Jewish Badge
Cornelia Aust
From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire
Beata Biedronska-Slota and Maria Molenda
The Emergence of a Polish National Dress and Its Perception
Constanta Vintila-Ghitulescu
Shawls and Sable Furs: How to Be a Boyar under the Phanariot Regime (1710-1821)
Giulia Calvi
Imperial Fashions: Cashmere Shawls between Istanbul, Paris, and Milan (Eighteenth and Nineteenth Centuries)
FORUM
Bernhard Gissibl
Bibliographische Angaben
- 2019, VI, 212 Seiten, 8 Schwarz-Weiss-Abbildungen, mit Abbildungen, Masse: 15,5 x 23,1 cm, Kartoniert (TB), Englisch
- Herausgegeben: Cornelia Aust, Denise Klein, Thomas Weller
- Verlag: OLDENBOURG
- ISBN-10: 3110632047
- ISBN-13: 9783110632040
- Erscheinungsdatum: 01.10.2019
Sprache:
Englisch
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