Contemporary Approaches to Adaptation in Theatre

Acknowledgements.- Introduction to Contemporary Approaches to Adaptation, Kara Reilly.- Section I Introduction: Company and Directorial Approaches to Adaptation, Scott Proudfit.- Kneehigh's Retellings, Heather Lilley.- Collective Creation & 'Historical Imagination': Mabou Mines's Devised Adaptations of History, Jessica Brater.- Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word, Melissa Poll.- 'The thrill of doing it live': devising and performing Katie Mitchell's international 'live cinema' productions, Adam J. Ledger.- Section 2 Introduction: Re-mediating the Book to the Stage, Frances Babbage.- (Re)Mediating the Modernist Novel: Katie Mitchell's Live Cinema Work, Benjamin Fowler.- The Spirit of the Source: Adaptation Dramaturgy and Stephen Crane's The Red Badge of Courage, Jane Barnette.- Have We Found Anne Frank? A Critical Analysis of Theater Amsterdam's Anne, Samantha Mitschke.- Adapting The Kite Runner: A Fidelity Project to Re-imagine Afghan Aura, Edmund Chow.- Fanny Hill Onstage: TheatreState and April De Angelis's feminist adaptations, Kara Reilly.- Section 3 Introduction: Reinscribing the Other in Contemporary Adaptations of Greek Tragedy and Epic, Eleftheria Ioannidou.- Hypertheatrical Engagement with Euripides' Trojan Women: a female 'writ of habeas corpus', Olga Kekis.- A Tale of Two Jordans: Representing Syrian Refugees Before and After 2011, George Potter.- Homer in Palestine, Gabriel Varghese.- Section 4 Introduction: Postmodern Meta-Theatrical Adaptation, Kimberly Jannarone.- The Neo-Futurists(') Take on Eugene O'Neill's Strange Interlude, Adrian Curtin.- Theatrical Mash-Up: Assembled Text as Adaptation in Medea/Macbeth/Cinderella, Scott Proudfit.- Controversal Intentions: Adaptation as an act of iconoclasm in Rupert Goold and Ben Power's Faustus (2004) and the Chapman Brothers' Insult to Injury (2003), Sarah Grochala.- Multivalence: The Young Vic and a postmodern Changeling, 2012, Nora Williams.- Ensaio.Hamlet:

Kara Reilly is Senior Lecturer in Drama at the University of Exeter, UK. Her books include Automata and Mimesis on the Stage of Theatre History (2011) and the edited collection Theatre, Performance and Analogue (2013). She is co-editor of the book series Adaptation in Theatre and Performance with Vicky Angelaki.