The Catch (Hörbuch (Download))
Fishing for Ted Hughes
(Sprache: Englisch)
'An absolute gem . . . I was delightfully lost by the river throughout' Paul Whitehouse
'Marvellous . . . The Catch leaves both its writer and its reader wonderfully "lost in water"' Robert Macfarlane
'Penetrating and poetic, filled with honeyed prose...
'Marvellous . . . The Catch leaves both its writer and its reader wonderfully "lost in water"' Robert Macfarlane
'Penetrating and poetic, filled with honeyed prose...
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Produktinformationen zu „The Catch (Hörbuch (Download))“
'An absolute gem . . . I was delightfully lost by the river throughout' Paul Whitehouse
'Marvellous . . . The Catch leaves both its writer and its reader wonderfully "lost in water"' Robert Macfarlane
'Penetrating and poetic, filled with honeyed prose and thoughtful criticism' The Times
A brilliant blend of memoir and biography, The Catch is a stunning meditation on poetry and nature, and a quiet reflection on what it means to be a father and a son.
_______________
It is in the midst of a swirling river, casting a line, that Mark Wormald meets Ted Hughes.
He stands where the poet stood, forty years ago, because fishing was Ted Hughes's way of breathing – and because the poet's writing has made Mark understand that it has always been his way of breathing, too.
Using Hughes's poetry collection River and his fishing diaries as a guide, Mark returns again and again to the rivers and lakes in Britain and Ireland where the poet fished. At times, he uses Ted's fly patterns; at others his rods. It is an obsession; a fundamental connection to nature; a thrilling wildness; an elemental pursuit. But it is also a release and a consolation, as Mark fishes after the sudden death of his mother and during the slow fading of his father.
'Marvellous . . . The Catch leaves both its writer and its reader wonderfully "lost in water"' Robert Macfarlane
'Penetrating and poetic, filled with honeyed prose and thoughtful criticism' The Times
A brilliant blend of memoir and biography, The Catch is a stunning meditation on poetry and nature, and a quiet reflection on what it means to be a father and a son.
_______________
It is in the midst of a swirling river, casting a line, that Mark Wormald meets Ted Hughes.
He stands where the poet stood, forty years ago, because fishing was Ted Hughes's way of breathing – and because the poet's writing has made Mark understand that it has always been his way of breathing, too.
Using Hughes's poetry collection River and his fishing diaries as a guide, Mark returns again and again to the rivers and lakes in Britain and Ireland where the poet fished. At times, he uses Ted's fly patterns; at others his rods. It is an obsession; a fundamental connection to nature; a thrilling wildness; an elemental pursuit. But it is also a release and a consolation, as Mark fishes after the sudden death of his mother and during the slow fading of his father.
Bibliographische Angaben
- Autor: Mark Wormald
- 2022, ungekürzte Lesung, Spieldauer: 834 Minuten
- Verlag: Bloomsbury Circus
- ISBN-10: 1526644223
- ISBN-13: 9781526644220
- Erscheinungsdatum: 28.04.2022
Hörbuch-Download Informationen
- Dateiformat: MP3
- Grösse: 491 MB
- Ohne Kopierschutz
Sprache:
Englisch
Autoren-Porträt von Mark Wormald
Mark Wormald has been fishing since the age of four. He is an award-winning poet, winning the Newdigate Prize at Oxford in 1988 and an E. C. Gregory Award from the Society of Authors in 1995.Mark has been a Fellow in English at Pembroke College, Cambridge, since 1992. His first office was once the bedsitting room in which Ted Hughes dreamed of a burned fox. He edited Charles Dickens’s The Pickwick Papers for Penguin Classics and more recently co-edited two collections of essays: Ted Hughes: from Cambridge to Collected (2013) and Ted Hughes, Nature and Culture (2018).Mark Wormald has been fishing since the age of four. He is an award-winning poet, winning the Newdigate Prize at Oxford in 1988 and an E. C. Gregory Award from the Society of Authors in 1995.Mark has been a Fellow in English at Pembroke College, Cambridge, since 1992. His first office was once the bedsitting room in which Ted Hughes dreamed of a burned fox. He edited Charles Dickens’s The Pickwick Papers for Penguin Classics and more recently co-edited two collections of essays: Ted Hughes: from Cambridge to Collected (2013) and Ted Hughes, Nature and Culture (2018).
Pressezitat
Penetrating and poetic, filled with honeyed prose and thoughtful criticism.
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The Catch
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