The Judas Field (ePub)
A Novel of the Civil War
(Sprache: Englisch)
The author of The Black Flower "re-creates [a] seminal moment in American history with prose that is vivid, unflinching, and often incantatory" (TheWashington Post Book World).
A Washington Post Book World Best Book of the Year and Winner of the Michael...
A Washington Post Book World Best Book of the Year and Winner of the Michael...
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The author of The Black Flower "re-creates [a] seminal moment in American history with prose that is vivid, unflinching, and often incantatory" (TheWashington Post Book World).
A Washington Post Book World Best Book of the Year and Winner of the Michael Shaara Award for Excellence in Civil War Fiction
Cass Wakefield left the bloodshed of the Civil War behind him twenty years ago and intends to live out the rest of his quiet days in his hometown in Mississippi. But when a childhood friend asks him to travel with her to Tennessee, he has no choice but to go along. Alison Sansing has been diagnosed with terminal cancer and wants to recover the bodies of her brother and father before she dies. Cass fought alongside Alison's loved ones in the disastrous Battle of Franklin and helped to bury them where they fell.
Joined by two of his former comrades-in-arms, Cass guides Alison through the heart of the still-devastated South. Along the way, memories of the war emerge with overwhelming vividness, thrusting Cass back into the terror and exhilaration of the battlefield. At their journey's end, the group faces a painful reckoning between a past that refuses to die and a present still waiting to be born.
"A beautifully wrought novel that deserves a wide audience," The Judas Field is the "eloquent and fearless" final chapter in a Civil War trilogy that began with The Black Flower and The Year of Jubilo (Los Angeles Times).
A Washington Post Book World Best Book of the Year and Winner of the Michael Shaara Award for Excellence in Civil War Fiction
Cass Wakefield left the bloodshed of the Civil War behind him twenty years ago and intends to live out the rest of his quiet days in his hometown in Mississippi. But when a childhood friend asks him to travel with her to Tennessee, he has no choice but to go along. Alison Sansing has been diagnosed with terminal cancer and wants to recover the bodies of her brother and father before she dies. Cass fought alongside Alison's loved ones in the disastrous Battle of Franklin and helped to bury them where they fell.
Joined by two of his former comrades-in-arms, Cass guides Alison through the heart of the still-devastated South. Along the way, memories of the war emerge with overwhelming vividness, thrusting Cass back into the terror and exhilaration of the battlefield. At their journey's end, the group faces a painful reckoning between a past that refuses to die and a present still waiting to be born.
"A beautifully wrought novel that deserves a wide audience," The Judas Field is the "eloquent and fearless" final chapter in a Civil War trilogy that began with The Black Flower and The Year of Jubilo (Los Angeles Times).
Autoren-Porträt von Howard Bahr
Howard Bahr is the author of four novels: The Black Flower (1997), The Year of Jubilo (2000), The Judas Field (2006), and Pelican Road (2008). A native of Meridian, Mississippi, he served in the US Navy during the Vietnam War and worked for several years as a railroad yard clerk and brakeman. From 1982 to 1993, Bahr was curator of Rowan Oak, the William Faulkner homestead and museum in Oxford, Mississippi. His last post was as writer-in-residence at Belhaven University.Bibliographische Angaben
- Autor: Howard Bahr
- 2018, 292 Seiten, Englisch
- Verlag: Open Road Media
- ISBN-10: 1504050533
- ISBN-13: 9781504050531
- Erscheinungsdatum: 24.04.2018
Abhängig von Bildschirmgrösse und eingestellter Schriftgrösse kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: ePub
- Grösse: 2.14 MB
- Ohne Kopierschutz
Sprache:
Englisch
Pressezitat
“The book’s pace and detail are wrenching, and it is starkly devoid of romanticism. . . . The stories of ordinary men make for the novel’s most provocative and deeply true sections. . . . The soldiers who survive the war are never done with it. This condition is not presented as the romantic clinging to a lost cause that has impeded honest assessment of those Americans who fought and lost a war, but as a complex meditation on existence. . . . Bahr’s accomplishment is magnificent.” —The Washington Post Book World“Bahr knows how to turn a phrase and tug on the emotions, visceral feelings that we try to keep buried. His descriptions of the carnage of battlefields, of what bullets and bayonets can do to human flesh, will chill you to the bone. . . . His is a rare talent.” —The Denver Post
“Absorbing . . . This is a mature work of fiction by a gifted writer—affectingly eloquent and fearless of complexity and ambiguity.” —Los Angeles Times
“By tying together elements from [The Black Flower and The Year of Jubilo] in The Judas Field, Bahr creates what has become a moving, elegiac trilogy on the meaning of war that goes beyond victory or defeat.” —The Boston Globe
“A brooding meditation on loss, memory and the enduring emotional wreckage of combat . . . Bahr is capable of casting a lyrical spell even when describing almost unbearable horror.” —TheBaltimore Sun
“Bahr is at his poetic best here, every word chosen and placed precisely and beautifully. The Judas Field presents us with a heartbreakingly realistic picture of the madness born of violence and war, and the redemption to be found when the past is finally put to rest.” —BookPage
“In his third Civil War novel . . .
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Bahr focuses not only on the carnage of battle but its horrible aftermath. . . . Bahr masterfully portrays ordinary men called to war whose belief in courage, honor, pride, and comrades sustains them but leaves them empty but for their terrible memories and grief. A beautifully written portrayal of the price that war exacts.” —Booklist
“A well-realized vision of war’s hell, ghosts and all . . . Bahr’s depictions of combat are worthy of Stephen Crane.” —Kirkus Reviews
“[Bahr] brings to life a long-gone era . . . [and] treats the war as a natural disaster not unlike a hurricane.” —Publishers Weekly
“A well-realized vision of war’s hell, ghosts and all . . . Bahr’s depictions of combat are worthy of Stephen Crane.” —Kirkus Reviews
“[Bahr] brings to life a long-gone era . . . [and] treats the war as a natural disaster not unlike a hurricane.” —Publishers Weekly
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