The Human Figure on Film / SUNY series, Horizons of Cinema (ePub)
Natural, Pictorial, Institutional, Fictional
(Sprache: Englisch)
The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being....
sofort als Download lieferbar
eBook (ePub)
Fr. 43.90
inkl. MwSt.
- Kreditkarte, Paypal, Rechnung
- Kostenloser tolino webreader
Produktdetails
Produktinformationen zu „The Human Figure on Film / SUNY series, Horizons of Cinema (ePub)“
The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book.
Each chapter is devoted to a single, central concept-the natural, the pictorial, the institutional, and the fictional-that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.
Each chapter is devoted to a single, central concept-the natural, the pictorial, the institutional, and the fictional-that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.
Autoren-Porträt von Seth Barry Watter
Seth Barry Watter is a film and media historian. His work has appeared in Grey Room, Journal of Cinema and Media Studies, Camera Obscura, Film International and elsewhere. He lives and teaches in New York.
Bibliographische Angaben
- Autor: Seth Barry Watter
- 2023, 170 Seiten, Englisch
- Verlag: State University of New York Press
- ISBN-10: 1438495102
- ISBN-13: 9781438495101
- Erscheinungsdatum: 01.10.2023
Abhängig von Bildschirmgrösse und eingestellter Schriftgrösse kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: ePub
- Grösse: 5.62 MB
- Mit Kopierschutz
Sprache:
Englisch
Kopierschutz
Dieses eBook können Sie uneingeschränkt auf allen Geräten der tolino Familie lesen. Zum Lesen auf sonstigen eReadern und am PC benötigen Sie eine Adobe ID.
Kommentar zu "The Human Figure on Film / SUNY series, Horizons of Cinema"
0 Gebrauchte Artikel zu „The Human Figure on Film / SUNY series, Horizons of Cinema“
| Zustand | Preis | Porto | Zahlung | Verkäufer | Rating |
|---|
Schreiben Sie einen Kommentar zu "The Human Figure on Film / SUNY series, Horizons of Cinema".
Kommentar verfassen