The History of Live Music in Britain, Volume I: 1950-1967 (PDF)
From Dance Hall to the 100 Club
(Sprache: Englisch)
To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of The History of Live Music in Britain address this gap and do so from the unique perspective of the...
sofort als Download lieferbar
eBook (pdf)
Fr. 81.90
inkl. MwSt.
- Kreditkarte, Paypal, Rechnung
- Kostenloser tolino webreader
Produktdetails
Produktinformationen zu „The History of Live Music in Britain, Volume I: 1950-1967 (PDF)“
To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of The History of Live Music in Britain address this gap and do so from the unique perspective of the music promoter. The books offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts.
Autoren-Porträt von Simon Frith, Matt Brennan, Emma Webster
Simon Frith is Tovey Professor of Music at the University of Edinburgh. His work is collected in Taking Popular Music Seriously (Ashgate 2007) and, with Simon Zagorski-Thomas, he edited The Art of Record Production (Ashgate 2012). He chairs the judges of the Mercury Music Prize and is a fellow of the British Academy. Matt Brennan is the Chancellor's Fellow of Music at the University of Edinburgh. He specialises in popular music studies combining historical, sociological, and business perspectives. His work has previously appeared in the journals Popular Music, Popular Music History, and Jazz Research Journal. Martin Cloonan is Professor of Popular Music Politics at the University of Glasgow. His research interests cover all areas of music and politics including censorship, regulation and music policy. Previous books include Popular Music and The State in the UK (Ashgate, 2007) and Dark Side of The Tune: Popular Music and Violence (Ashgate, 2008). Emma Webster received her PhD from the University of Glasgow in November 2011; her thesis was concerned with live music promotion. Before returning to academia, she worked for a number of years in music and theatre in a variety of roles and genres including opera, 'world' music, and acid techno.
Bibliographische Angaben
- Autoren: Simon Frith , Matt Brennan , Emma Webster
- 2016, 236 Seiten, Englisch
- Verlag: Taylor & Francis
- ISBN-10: 1317028872
- ISBN-13: 9781317028871
- Erscheinungsdatum: 09.03.2016
Abhängig von Bildschirmgrösse und eingestellter Schriftgrösse kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Grösse: 2.28 MB
- Mit Kopierschutz
- Vorlesefunktion
Sprache:
Englisch
Kopierschutz
Dieses eBook können Sie uneingeschränkt auf allen Geräten der tolino Familie lesen. Zum Lesen auf sonstigen eReadern und am PC benötigen Sie eine Adobe ID.
Kommentar zu "The History of Live Music in Britain, Volume I: 1950-1967"
0 Gebrauchte Artikel zu „The History of Live Music in Britain, Volume I: 1950-1967“
| Zustand | Preis | Porto | Zahlung | Verkäufer | Rating |
|---|
Schreiben Sie einen Kommentar zu "The History of Live Music in Britain, Volume I: 1950-1967".
Kommentar verfassen