The Ashgate Research Companion to Popular Musicology (PDF)
(Sprache: Englisch)
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to...
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The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
Autoren-Porträt
Derek B. Scott is Professor of Critical Musicology and Head of the School of Music at the University of Leeds, UK.
Bibliographische Angaben
- 2016, 576 Seiten, Englisch
- Herausgegeben: Derek B. Scott
- Verlag: Taylor & Francis
- ISBN-10: 1317041984
- ISBN-13: 9781317041986
- Erscheinungsdatum: 23.03.2016
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