Scribbling through History (PDF)
Graffiti, Places and People from Antiquity to Modernity
(Sprache: Englisch)
For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture:...
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For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks.
This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood.
This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood.
Autoren-Porträt
Chloé Ragazzoli is Associate Professor of Egyptology at the History Faculty of University Paris Sorbonne, France. She is the author of Eloge de la Ville. Histoire et Littérature (2008) and La grotte des scribes à Deir el-Bahari. La tombe MMA 504 et ses graffiti (forthcoming).Ömür Harmansah is Associate Professor of Art History, University of Illinois at Chicago, USA. His work focuses on the art and material culture of the ancient Near Eastern world, with particular emphasis on Anatolia, Syria and Mesopotamia. He is the author of Cities and the Shaping of Memory in the Ancient Near East (2013) and Place, Memory and Healing: An Archaeology of Anatolian Rock Monuments (2015).
Chiara Salvador is reading for a doctorate in Egyptology at the University of Oxford, UK. Her research treats a corpus of hieratic, hieroglyphic and figural graffiti from the temple complex of Karnak, in modern Luxor with the support of the Centre Franco-Égyptien d'Étude des Temples de Karnak.
Elizabeth Frood is Associate Professor of Egyptology and Fellow of St Cross College, University of Oxford, UK. She is author of Biographical Texts from Ramessid Egypt (2007). She is currently preparing publications of graffiti from two areas of the temple complex at Karnak, in collaboration with the Centre Franco-Égyptien d'Étude des Temples de Karnak.
Bibliographische Angaben
- 2018, 1. Auflage, 264 Seiten, Englisch
- Herausgegeben: Chloé Ragazzoli, Ömür Harmansah, Chiara Salvador, Elizabeth Frood
- Verlag: Bloomsbury UK
- ISBN-10: 1474288839
- ISBN-13: 9781474288835
- Erscheinungsdatum: 31.05.2018
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