Muzio Clementi and British Musical Culture (PDF)
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Muzio Clementi (1752-1832) achieved notable success in a diversity of activities that centred mainly on the piano. This book explores Clementi's multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works; several chapters report on this project, whilst continuing to pursue the book's broader themes.
Rohan H. Stewart-MacDonald studied at St Catharine's College, Cambridge, between 1993 and 2001. Since completing his Ph.D. he has specialized in British music of the eighteenth and nineteenth centuries, publishing the book New Perspectives on the Keyboard Sonatas of Muzio Clementi in 2006 (Quaderni Clementiani series). In 2012, with Roberto Illiano, he co-edited and contributed to the multi-author, multi-lingual Jan Ladislav Dussek: A Bohemian Composer "en voyage" through Europe (Bologna, 2012). In the last few years, his academic interests have diversified, to include topics such as mid-eighteenth-century Italian symphonism and the early nineteenth-century virtuoso concerto (both piano and violin). Stewart-MacDonald also performed regularly as a pianist. Member of the Board of the Italian National Edition of the Complete Works of Muzio Clementi (MiBACT), he recently edited, together with Luca Lévi Sala, the critical edition of the 'Viennese' sonatas Opp. 7-10 (Bologna, 2018).
- 2018, 1. Auflage, 248 Seiten, Englisch
- Herausgegeben: Luca Sala, Rohan Stewart-MacDonald
- Verlag: Taylor & Francis
- ISBN-10: 1351800876
- ISBN-13: 9781351800877
- Erscheinungsdatum: 14.06.2018
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- Grösse: 3.72 MB
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