Literary Forgery in Early Modern Europe, 1450-1800 (ePub)
Forgery's Valhalla
(Sprache: Englisch)
"The essays gathered in this volume demonstrate that studyingearly modernEuropean literary forgeriesis a fascinating cultural adventure" (Lina Bolzoni author ofThe Gallery of Memory).
This comprehensive study of literary and historiographical forgery...
This comprehensive study of literary and historiographical forgery...
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"The essays gathered in this volume demonstrate that studyingearly modernEuropean literary forgeriesis a fascinating cultural adventure" (Lina Bolzoni author ofThe Gallery of Memory).
This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature.
The early modern explosion in forgery of all kinds-particularly in the fields of literary and archaeological falsification-demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations.
The thirteen essays draw on Johns Hopkins University's Bibliotheca Fictiva, the world's premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond.
Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O'Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall
This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature.
The early modern explosion in forgery of all kinds-particularly in the fields of literary and archaeological falsification-demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations.
The thirteen essays draw on Johns Hopkins University's Bibliotheca Fictiva, the world's premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond.
Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O'Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall
Autoren-Porträt von Arthur Freeman, Anthony Grafton, Jack Lynch, Kate E. Tunstall, Richard Cooper, James Coleman, E. R. Truitt, Ingrid Rowland, A. Katie Harris, Earle A. Havens, Frederic Clarke, Shana D. O'Connell, Walter Stephens
Walter Stephens is the Charles S. Singleton Professor of Italian Studies at Johns Hopkins University. He served as a co-curator of the 2014 rare book exhibition of the Bibliotheca Fictiva collection and accompanying catalogue, Fakes, Lies, and Forgeries.Earle A. Havens is the Nancy H. Hall Curator of Rare Books and Manuscripts in the Sheridan Libraries of Johns Hopkins University. He served as a co-curator of the 2014 rare book exhibition of the Bibliotheca Fictiva collection and accompanying catalogue, Fakes, Lies, and Forgeries.Janet E. Gomez earned her PhD in Italian from Johns Hopkins University. She served as a co-curator of the 2014 rare book exhibition of the Bibliotheca Fictiva collection and accompanying catalogue, Fakes, Lies, and Forgeries.
Bibliographische Angaben
- Autoren: Arthur Freeman , Anthony Grafton , Jack Lynch , Kate E. Tunstall , Richard Cooper , James Coleman , E. R. Truitt , Ingrid Rowland , A. Katie Harris , Earle A. Havens , Frederic Clarke , Shana D. O'Connell , Walter Stephens
- 2019, Englisch
- Herausgegeben: Walter Stephens
- Verlag: Johns Hopkins University Press
- ISBN-10: 1421426889
- ISBN-13: 9781421426884
- Erscheinungsdatum: 15.01.2019
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- Dateiformat: ePub
- Grösse: 5.23 MB
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Englisch
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