The History of British Women's Writing, 1970-Present / History of British Women's Writing (PDF)
Volume Ten
(Sprache: Englisch)
This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays...
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This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970.
Autoren-Porträt
Linda Anderson, Newcastle University, UK Claire Chambers, University of York, UK Deborah Chambers, Newcastle University, UK Hywel Dix, Bournemouth University, UK Jane Dowson, De Montfort University, UK Mary Eagleton, independent scholar, UK Gabriele Griffin, University of York, UK Clare Hanson, University of Southampton, UK Elizabeth Wanning Harries, Smith College, USA Maroula Joannou, Anglia Ruskin University, UK Jeannette King, University of Aberdeen, UK Gail Low, University of Dundee, UK Rebecca Munford, Cardiff University, UK Emma Parker, University of Leicester, UK Ruvani Ranasinha, King's College London, UK Suzanne Scafe, London South Bank University, UK Susan Watkins, Leeds Beckett University, UK Imelda Whelehan, University of Tasmania, Australia Sue Zlosnik, Manchester Metropolitan University, UKBibliographische Angaben
- 2016, 1st ed. 2015, 288 Seiten, Englisch
- Herausgegeben: Mary Eagleton, Emma Parker
- Verlag: Palgrave Macmillan
- ISBN-10: 1137294817
- ISBN-13: 9781137294814
- Erscheinungsdatum: 29.04.2016
Abhängig von Bildschirmgrösse und eingestellter Schriftgrösse kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Grösse: 1.49 MB
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Sprache:
Englisch
Pressezitat
“It is a culturally sensitive, and nuanced collection of chapters, and will doubtless prove invaluable for researchers, teachers and students in the field. It will find a wide readership among literary historians and literary critics, alongside feminist theorists and scholars of the history of feminism, gender and cultural diversity. … it brings a much-needed perspective of multiplicity and variation to the more general study of literature.” (Karin Sellberg, Australian Feminist Studies, Vol. 33 (95), 2018)
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