Francophone Literature as World Literature (PDF)
(Sprache: Englisch)
Francophone Literature as World Literature examines French-language works from a range of global traditions and shows how these literary practices draw individuals, communities, and their cultures and idioms into a planetary web of tension and...
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Francophone Literature as World Literature examines French-language works from a range of global traditions and shows how these literary practices draw individuals, communities, and their cultures and idioms into a planetary web of tension and cross-fertilization.
The Francophone corpus under scrutiny here comes about in the evolving, markedly relational context provided by these processes and their developments during and after the French empire. The 15 chapters of this collection delve into key aspects, moments, and sites of the literature flourishing throughout the francosphere after World War II and especially since the 1980s, from the French Hexagon to the Caribbean and India, and from Québec to the Maghreb and Romania. Understood and practiced as World Literature, Francophone literature claims--with particular force in the wake of the littérature-monde debate--its place in a more democratic world republic of letters, where writers, critics, publishers, and audiences are no longer beholden to traditional centers of cultural authority.
The Francophone corpus under scrutiny here comes about in the evolving, markedly relational context provided by these processes and their developments during and after the French empire. The 15 chapters of this collection delve into key aspects, moments, and sites of the literature flourishing throughout the francosphere after World War II and especially since the 1980s, from the French Hexagon to the Caribbean and India, and from Québec to the Maghreb and Romania. Understood and practiced as World Literature, Francophone literature claims--with particular force in the wake of the littérature-monde debate--its place in a more democratic world republic of letters, where writers, critics, publishers, and audiences are no longer beholden to traditional centers of cultural authority.
Autoren-Porträt
Christian Moraru is Class of 1949 Distinguished Professor in the Humanities and Professor of English at the University of North Carolina, Greensboro, USA. His recent publications include Cosmodernism: American Narrative, Late Globalization, and the New Cultural Imaginary (2011) and Reading for the Planet: Toward a Geomethodology (2015). He is co-editor of Romanian Literature as World Literature (Bloomsbury, 2018).Nicole Simek is Cushing Eells Professor of Philosophy and Literature and Professor of French and Interdisciplinary Studies at Whitman College, USA. Her publications include Hunger and Irony in the French Caribbean: Literature, Theory, and Public Life (2016) and Eating Well, Reading Well: Maryse Condé and the Ethics of Interpretation (2008).
Bertrand Westphal is Professor of Comparative Literature at the University of Limoges, France. His recent publications include L'oeil de la Méditerranée. Une odyssée littéraire (2005), Geocriticism: Real and Fictional Spaces (trans. 2011), A Plausible World (trans. 2013), and La cage des méridiens. Le roman et l'art contemporain face à la globalisation (2016).
Bibliographische Angaben
- 2020, 1. Auflage, 320 Seiten, Englisch
- Herausgegeben: Christian Moraru, Nicole Simek, Bertrand Westphal
- Verlag: Bloomsbury Publishing Inc
- ISBN-10: 1501347160
- ISBN-13: 9781501347160
- Erscheinungsdatum: 25.06.2020
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Englisch
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