Explorations in New Cinema History (PDF)
Approaches and Case Studies
(Sprache: Englisch)
Explorations in New Cinema History brings together
cutting-edge research by the leading scholars in the field to
identify new approaches to writing and understanding the social and
cultural history of cinema, focusing on cinema's audiences,
the...
cutting-edge research by the leading scholars in the field to
identify new approaches to writing and understanding the social and
cultural history of cinema, focusing on cinema's audiences,
the...
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Explorations in New Cinema History brings together
cutting-edge research by the leading scholars in the field to
identify new approaches to writing and understanding the social and
cultural history of cinema, focusing on cinema's audiences,
the experience of cinema, and the cinema as a site of social and
cultural exchange.
* Includes contributions from Robert Allen, Annette Kuhn, John
Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley
among others
* Develops the original argument that the social history of
cinema-going and of the experience of cinema should take precedence
over production- and text-based analyses
* Explores the cinema as a site of social and cultural exchange,
including patterns of popularity and taste, the role of individual
movie theatres in creating and sustaining their audiences, and the
commercial, political and legal aspects of film exhibition and
distribution
* Prompts readers to reassess their understanding of key periods
of cinema history, opening up cinema studies to long-overdue
conversations with other disciplines in the humanities and social
sciences
* Presents rigorous empirical research, drawing on digital
technology and geospatial information systems to provide
illuminating insights in to the uses of cinema
cutting-edge research by the leading scholars in the field to
identify new approaches to writing and understanding the social and
cultural history of cinema, focusing on cinema's audiences,
the experience of cinema, and the cinema as a site of social and
cultural exchange.
* Includes contributions from Robert Allen, Annette Kuhn, John
Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley
among others
* Develops the original argument that the social history of
cinema-going and of the experience of cinema should take precedence
over production- and text-based analyses
* Explores the cinema as a site of social and cultural exchange,
including patterns of popularity and taste, the role of individual
movie theatres in creating and sustaining their audiences, and the
commercial, political and legal aspects of film exhibition and
distribution
* Prompts readers to reassess their understanding of key periods
of cinema history, opening up cinema studies to long-overdue
conversations with other disciplines in the humanities and social
sciences
* Presents rigorous empirical research, drawing on digital
technology and geospatial information systems to provide
illuminating insights in to the uses of cinema
Autoren-Porträt
Richard Maltby is Professor of Screen Studies and ExecutiveDean of the Faculty of Education, Humanities and Law at Flinders
University, South Australia. He has written and edited several
books and articles on cinema history, including Hollywood
Cinema (Blackwell, 2003).
Daniel Biltereyst is Professor in Film and Media Studies
at Ghent University, Belgium, and has written widely on the subject
of film culture and controversy in the public sphere.
Philippe Meers is Associate Professor in Film and Media
Studies at the University of Antwerp, Belgium. He has published
variedly on historical and contemporary cinema culture and
audiences.
Bibliographische Angaben
- 2011, 1. Auflage, 352 Seiten, Englisch
- Herausgegeben: Richard Maltby, Daniel Biltereyst, Philippe Meers
- Verlag: John Wiley & Sons
- ISBN-10: 1444396390
- ISBN-13: 9781444396393
- Erscheinungsdatum: 28.02.2011
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