Doing Ethnographies (PDF)

Mike Crang's interests lie in the field of cultural geography. He has worked extensively on the relationship of social memory and identity. Within this he focused empirically upon on practices of public and oral history, photography and museums looking especially at examples in the UK and Sweden. This interest feeds into looking at what people make of museums and landscapes and thus the study of tourism more generally. He has an edited collection on this theme that was published in 2009(Cultures of Mass Tourism: Doing the Mediterranean in the Age of Banal Mobilities, edited with Pau Obrador and Penny Travlou, Ashgate) and a previous collection (Tourism: between place and performance, with Simon Coleman, Berghahn 2002) as well as co-editing the journal 'Tourist Studies' for ten years from its inception. He is currrently working on the intersection of film, photography and tourism - through a case study using Captain Corelli and Cephallonia.

From the angle of visual aesthetics and senses of temporality and rhythm, he has become interested in not just issues of preservation and conservation but also their converse -  destruction, dereliction and decay - as a collaborator on the ESRC project 'The Waste of the World'. On this project he has looked at the figuring of global flows through waste - especially ships in the work of differing photographic traditions. He has also explored the creation of wastescapes in (former) industrial sites, on beaches and between places. Subsequent work on the material cultures of waste is attempting to rethink approaches to the commodity through emphasising unbecoming things - that are both distasteful and unstable.

He is also interested in more abstract issues regarding time-space, action and temporality and co-edited the journal Time & Society from 1997 to 2006. His interests in this area led to a collection on spatiality and social theory ('Thinking Space', edited with Nigel Thrift). The other strand to his work is the analysis of

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