Cross-Cultural Interaction Between Byzantium and the West, 1204-1669 (PDF)
Whose Mediterranean Is It Anyway?
(Sprache: Englisch)
The Early Modern Mediterranean was an area where many different cultural traditions came in contact with each other, were often forced to co-exist, and frequently learned to reap the benefits of co-operation. The aim of this volume is to explore and...
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The Early Modern Mediterranean was an area where many different cultural traditions came in contact with each other, were often forced to co-exist, and frequently learned to reap the benefits of co-operation. The aim of this volume is to explore and re-examine one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West.
Autoren-Porträt
Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. She also examines Palaiologan Byzantine art produced in the major artistic centres during the last phase of the Empire - Constantinople, Thessaloniki and Mystras. She is the author of The Church of the Archangel Michael at Kavalariana: Art and Society on Fourteenth-Century Venetian-Dominated Crete (London, 2006) and co-editor (with Rembrandt Duits) of Byzantine Art and Renaissance Europe (Farnham, 2013).
Bibliographische Angaben
- 2018, 1. Auflage, 370 Seiten, Englisch
- Herausgegeben: Angeliki Lymberopoulou
- Verlag: Taylor & Francis
- ISBN-10: 1351244949
- ISBN-13: 9781351244947
- Erscheinungsdatum: 29.03.2018
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- Grösse: 16 MB
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