The Nickel Boys

about the segregation system that kept colored boys and girls on the other side of the fence. Explain the misguided thinking of some whites -- not all whites, but enough whites that gave it force and meaning. He counseled his daughter to resist the lure of hatred and bitterness and assured her that Even though you can t go to Fun Town, you are as good as anyone who gets to go to Fun Town.
That was Elwood -- good as anyone. A hundred miles south of Atlanta, in Tallahassee. Sometimes he saw a Fun Town commercial while visiting his cousins in Georgia. Lurching rides and happy music, chipper white kids lining up for the Wild Mouse Roller Coaster, Dick s Mini Golf. Strap into the Atomic Rocket for a Trip to the Moon. A perfect report card guaranteed free admission, the commercials said, if your teacher stamped a red mark on it. Elwood got all A s and kept his stack of evidence for the day they opened Fun Town to all God s children, as Dr. King promised. I ll get in free every day for a month, easy, he told his grandmother, lying on the front room rug and tracing a threadbare patch with his thumb.
His grandmother Hattie had rescued the rug from the alley behind the Richmond Hotel after the last renovation. The bureau in her room, the tiny table next to Elwood s bed, and three lamps were also Richmond castoffs. Hattie had worked at the hotel since she was fourteen, when she joined her mother on the cleaning staff. Once Elwood entered high school, the hotel manager Mr. Parker made it clear he d hire him as a porter whenever he wanted, smart kid like him, and the white man was disappointed when the boy began working at Marconi s Tobacco & Cigars. Mr. Parker was always kind to the family, even after he had to fire Elwood s mother for stealing.
Elwood liked the Richmond and he liked Mr. Parker, but adding a fourth gener

American chronicle, that would be achievement enough. What he is doing in his new novel, as in its immediate predecessor, is more challenging than that. . . . He applies a master storyteller s muscle. . . . The elasticity of time in The Nickel Boys feels so organic that only when you put the book down do you fully appreciate that its sweep encompasses much of the last century as well as this one. . . . A writer like Whitehead, who challenges the complacent assumption that we even fathom what happened in our past, has rarely seemed more essential. The New York Times Book Review

"A masterpiece squared, rooted in history and American mythology and, yet, painfully topical in its visions of justice and mercy erratically denied . . . a great American novel."  Maureen Corrigan, NPR.org

"Whitehead's brilliant examination of America's history of violence is a stunning novel of impeccable language and startling insight." Publishers Weekly, starred review

"Whitehead's magnetic characters exemplify stoicism and courage, and each supremely craftedscene smolders and flares with injustice and resistance, building to a staggering revelation. Inspired by an actual school, Whitehead's potently concentrated drama pinpoints the brutality and insidiousness of Jim Crow racism with compassion and protest. . . . A scorching work." Booklist, starred review

"[A] stunning new novel. . . . The understated beauty of his writing, combined with the disquieting subject matter, creates a kind of dissonance that chills the reader. Whitehead has long had a gift for crafting unforgettable characters, and Elwood proves to be one of his best. . . . The final pages of the book are a heartbreaking distillation of the story that preceded them; it's a perfect ending to a perfect novel. The Nickel Boys is a beautiful, wrenching act of witness, a painful remembrance of an 'infinite brotherhood of broken boys,' and it proves beyond a shadow of a doubt that Whitehead is one of the most gifted novelists in America today." NPR

"Magnificent. . . . Whitehead's prose is meticulous; he nimbly shifts between the 1960s and present day, creating a fully fleshed-out picture of violence and (in)justice." Buzzfeed

"Colson Whitehead's follow-up to The Underground Railroad is devastating and powerful, a harrowing novelization on another dark aspect of American history. . . . Never didactic, but always illuminating even in those darkest of places in our collective story The Nickel Boys is a brilliant, horrifying look into the legacy of Jim Crow, and the ways in which racism and oppression don't exist in defiance to the American Dream, but rather as its fuel." NYLON

"[The Nickel Boys's] dialogue, the efficient character sketches and the unobtrusive but always-advancing plot are evidence of mature ability . . . spry and animated and seamed with dark humor . . . [with] a dazzling final twist that Mr. Whitehead stages with such casual skill that one only begins to unpack its meanings well after the book has ended. . . . The excellence of The Nickel Boys carries an added feeling of hope because it's evidence of a gradual, old-fashioned artistic progression that fewer and fewer writers are allowed the time to pursue. . . . The Nickel Boys demonstrate the versatile gifts of a writer who is rounding into mastery. The impression left is that Mr. Whitehead can succeed at any kind of book he takes on. He has made himself one of the finest novelists in America." The Wall Street Journal

"Whitehead's new novel . . . is in many ways a continuation of his reassessment of African American history. But The Nickel Boys is no mere sequel . . . it's a surprisingly different kind of novel. . . . Whitehead reveals the clandestine atrocities of Nickel Academy with just enough restraint to keep us in a state of wincing dread. . . . It shreds our easy confidence in the triumph of goodness and leaves in its place a hard and bitter truth about the ongoing American experiment." The Washington Post

"Again [Whitehead is] wrestling with American history's reverberations. . . . Since its moral concern is multigenerational anguish, the sense of mourning in The Nickel Boys is subvisceral not detached, but restrained. . . . We are called to remember, 'The past is never dead. It's not even past.'" O: The Oprah Magazine

"Possibly the single most anticipated novel of the year." Los Angeles Times

"A powerful meditation on suffering and injustice. . . . His subject could not be more demanding, but Whitehead's writing is spare and stately. He handles Elwood's and Turner's suffering and questions gently. And he holds the reader carefully. . . . For the darkest of tales, that is the most a writer can do."  Winnipeg Free Press

"Whitehead's signature knack for creating unforgettable characters and spinning compelling stories out of even the darkest places is on display once again and while it's not always an easy story to read, we'd venture to say it's essential."  Town and Country

"If you thought Colson Whitehead's Pulitzer Prize-winning novel The Underground Railroad was a tour de force, wait until you get your hands on The Nickel Boys."  Harper s Bazaar

"The Nickel Boys is straight-ahead realism, distinguished by its clarity and its open conversation with other black writers: It quotes from or evokes the work of Langston Hughes, James Baldwin, Ralph Ellison and more. Whitehead has made an overt bid to stand in their company to write a novel that s memorable, and teachable, for years to come. The Nickel Boys is its fulfilment." USA Today

"The Nickel Boys is a strictly realist work, albeit still ripe with Whitehead's signature deadpan wit. . . . The heart of The Nickel Boys is this extended dialogue between Elwood and Turner . . . [and] often feels like Whitehead s conversation with both the idealistic forerunners of the civil rights generation and, by implication, the woke youth of today. Like perhaps his single greatest influence, Ralph Ellison, Whitehead negotiates a tightrope walk between the need to depict the experience of race and racism and a stubborn individualistic resistance to the claims of collective identity." Slate

"[Whitehead's] prose here is elegant yet straightforward . . . these short sentences spur the action on, creating a pace that's almost as breath-taking as the novel's depiction of cruelty. . . . Whitehead's novel is certainly revelatory, but more for the ways in which it traces these atrocities to the past and present, weaving tragedy into multiple lifetimes. The Nickel Boys isn't just a testament to systemic racism; it s an archaeology of pain." A.V. Club

"[The Nickel Boys is] a marvellous play between the real situation and a novelistic artifice one which, in the end, proves to be inherent in the human story. . . . This is a heartbreakingly good novel. Its excellence doesn't lie in the attitude it takes to a social problem. . . . Rather, this is a book which should last because of the elegant refinement of its treatment, and the harmonious and deeply affecting balance it strikes between real-life conditions, and the requirements of the finest and most penetrating art." The Spectator

"[A] remarkable novel." Roxane Gay, bestselling author of Bad Feminist

"A gripping and brilliant novel based on a true story about a boys' reformatory school in Florida in the 1960s. Whitehead is one of the most daring and gifted authors writing these days, and I will never miss one of his books." Elizabeth Gilbert, author of City of Girls

"[Whitehead] is a splendidly talented writer, with more range than any other American novelist currently working he can be funny, lyrical, satirical, earnest whatever is needed by the work." George Saunders, author of Lincoln in the Bardo,