Romantic Comedy (Reese's Book Club)
A Novel
(Sprache: Englisch)
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • A comedy writer thinks she’s sworn off love, until a dreamy pop star flips the script on all her assumptions—a “smart, sophisticated, and fun” (Oprah Daily) novel from the author of Eligible,...
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NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • A comedy writer thinks she’s sworn off love, until a dreamy pop star flips the script on all her assumptions—a “smart, sophisticated, and fun” (Oprah Daily) novel from the author of Eligible, Rodham, and Prep.“Full of dazzling banter and sizzling chemistry.”—People
“If you ever wanted a backstage pass to Saturday Night Live, this is the book for you.”—Zibby Owens, Good Morning America
A BEST BOOK OF THE YEAR: The Washington Post, NPR, USA Today, BuzzFeed, PopSugar, Harper’s Bazaar, Real Simple, She Reads, New York Post
Sally Milz is a sketch writer for The Night Owls, a late-night live comedy show that airs every Saturday. With a couple of heartbreaks under her belt, she’s long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life.
But when Sally’s friend and fellow writer Danny Horst begins dating Annabel, a glamorous actress who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show—and in society at large—who’ve gotten romantically involved with incredibly beautiful and accomplished women. Sally channels her annoyance into a sketch called The Danny Horst Rule, poking fun at this phenomenon while underscoring how unlikely it is that the reverse would ever happen for a woman.
Enter Noah Brewster, a pop music sensation with a reputation for dating models, who signed on as both host and musical guest for this week’s show. Dazzled by his charms, Sally hits it off with Noah instantly, and as they collaborate on one sketch after another, she begins to wonder if there might actually be sparks flying. But this isn’t a romantic comedy—it’s real life. And in real life, someone like him would never date someone like her . . . right?
With her keen observations and trademark
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ability to bring complex women to life on the page, Curtis Sittenfeld explores the neurosis-inducing and heart-fluttering wonder of love, while slyly dissecting the social rituals of romance and gender relations in the modern age.
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Lese-Probe zu „Romantic Comedy (Reese's Book Club) “
Chapter 1April 2018
Weekly Schedule for The Night Owls
Monday 1 p.m. pitch meeting with guest host
Tuesday 5 p.m. start of all-night writing session
Wednesday 12 p.m. deadline for submitted sketches
Wednesday 3 p.m. table read of submitted sketches
Wednesday 9 p.m. preliminary show lineup posted internally
Wednesday night Saturday morning rehearsals; scripts revised; sets built; special effects designed; hair, makeup, and costumes chosen and created; pre-tapes shot
Saturday 1 p.m. run-through of show
Saturday 8 p.m. dress rehearsal before a live audience
Saturday 11:30 p.m. live show before a new audience
Sunday 1:30 a.m. first after-party
Monday, 1:10 p.m.
For the meeting that marked the official start of that week s show, I planned to pitch two sketches. But I had three ideas you could write and submit more but pitch only two so I d play by ear which ones I went with, depending on how the guest host reacted to the pitches preceding mine. About forty writers, cast members, and producers were crammed into the seventeenth-floor office of the show s creator and executive director, Nigel Petersen. Nigel s seventeenth-floor office not to be confused with his office on the eighth floor, adjacent to the studio where the show was filmed was both well-appointed and never intended as a meeting place for anywhere close to forty people. This meant that Nigel sat behind his desk, the host sat in a leather armchair, a few lucky staffers nabbed a place on the sole couch, and everyone else leaned against the wall or sat on the floor.
Nigel started by introducing the host, who, as happened about once per season, was also that week s musical guest. Noah Brewster had twice in the past been the musical guest, but this was his first time hosting. He was a cheesily handsome, extremely successful singer-songwriter who specialized in cloying pop music and was known for dating models in their early twenties. Though he looked like a
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surfer piercing blue eyes, shaggy blond hair and stubble, a big toothy grin, and a jacked body I d learned by reading the host bio we were emailed each Monday morning that he d grown up in a suburb of Washington, D.C. He was thirty-six, the same age I was, and had been famous ever since releasing the hit Making Love in July more than fifteen years before, when I was in college. Making Love in July was a paean to respectfully taking the virginity of a long-haired girl with glowy skin, a pouty mouth, and raspberry nipples, and it was one of those songs that had for a year played so often on the radio that, in spite of finding it execrable, I accidentally knew all the words. In the time since then, Noah Brewster had won many awards and sold more than twenty million albums, a figure I also had learned from his host bio. It was not a coincidence that his tenth album was being released the following week; hosts, musical guests, and the combinations therein were usually either celebrating newfound fame or promoting imminent work.
After Nigel introduced him, Noah Brewster looked around the room and said, Thanks for letting a musician crash the comedy party. Hosting TNO has been a lifelong dream, ever since I was a middle school misfit sneaking down to the basement to watch after my parents went to bed. He smiled his big smile at us, and I wondered if his teeth were real or veneers. After nine years at TNO, I was as accustomed as one could be to interacting with high-wattage celebrities, though it often was surprising to discover who was even better-looking in person (most of them), who was an asshole (not many, but definitely a few), who was shockingly vacuous (the lead from a popular police procedural stood out), and who you wished would stay
After Nigel introduced him, Noah Brewster looked around the room and said, Thanks for letting a musician crash the comedy party. Hosting TNO has been a lifelong dream, ever since I was a middle school misfit sneaking down to the basement to watch after my parents went to bed. He smiled his big smile at us, and I wondered if his teeth were real or veneers. After nine years at TNO, I was as accustomed as one could be to interacting with high-wattage celebrities, though it often was surprising to discover who was even better-looking in person (most of them), who was an asshole (not many, but definitely a few), who was shockingly vacuous (the lead from a popular police procedural stood out), and who you wished would stay
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Autoren-Porträt von Curtis Sittenfeld
Curtis Sittenfeld is the New York Times bestselling author of six novels, including Rodham, Eligible, Prep, American Wife, and Sisterland, as well as the collection You Think It, I'll Say It. Her books have been translated into thirty languages. In addition, her short stories have appeared in The New Yorker, The Washington Post Magazine, Esquire, and The Best American Short Stories, for which she has also been the guest editor. Her nonfiction has appeared in The New York Times, The Atlantic, Time, and Vanity Fair, and on public radio's This American Life.
Bibliographische Angaben
- Autor: Curtis Sittenfeld
- 2023, 320 Seiten, Masse: 15,6 x 23,1 cm, Kartoniert (TB), Englisch
- Verlag: Random House
- ISBN-10: 0593597257
- ISBN-13: 9780593597255
- Erscheinungsdatum: 05.05.2023
Sprache:
Englisch
Pressezitat
[Sittenfeld] has a keen eye for relationships, particularly romantic ones, which is what makes her upcoming book, Romantic Comedy, so enticing. . . . [The novel] takes a shot of SNL and makes sparks fly. ElleA love letter to the prototypical rom-com . . . Sittenfeld s work exists in the dissection and comprehension of female desire: what we want, what we absolutely don t and, maybe paramount, what we re even allowed to have. . . . A fizzy ride. The New York Times Book Review (Editors Choice)
From the heart to the funny bone . . . What makes all this particularly delightful is that the woman narrating Romantic Comedy is hyper-aware of the conventions of romantic comedy, and she knows full well that real life is no fairy tale. But could it be this time? The Washington Post
Zingy . . . electrically compelling, with steady warmth as well as drama . . . [Romantic Comedy s] command of structure, pace and dialogue is faultless. . . . [An] affable, intelligently crafted tale of work and love. The Guardian
If you re in need of [a] smart, sophisticated, and fun diversion right now (and who isn t), this is your book. Like her literary foremother Jane Austen, Sittenfeld brings together exquisitely sharp dialogue that fizzes, excruciating sexual tension, and incisive social observation. Oprah Daily
Sittenfeld s meta-romance is an utterly perfect version of itself, a self-aware and pandemic-informed love story that s no less romantic for being either. . . . Fans will flock to this pure-fun, feminist romp. Booklist (starred review)
Romance artfully and entertainingly deconstructed. Kirkus Reviews
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