Real Life
A Novel
(Sprache: Englisch)
A FINALIST FOR THE 2020 BOOKER PRIZE
A NEW YORK TIMES EDITORS' CHOICE
"A blistering coming of age story" -O: The Oprah Magazine
Named a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle,...
A NEW YORK TIMES EDITORS' CHOICE
"A blistering coming of age story" -O: The Oprah Magazine
Named a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle,...
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A FINALIST FOR THE 2020 BOOKER PRIZEA NEW YORK TIMES EDITORS' CHOICE
"A blistering coming of age story" -O: The Oprah Magazine
Named a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle, NPR, The Guardian, The Paris Review, Harper's Bazaar, Financial Times, Huffington Post, BBC, Shondaland, Barnes & Noble, Vulture, Thrillist, VICE, SELF, Electric Literature, and Shelf Awareness
A novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice.
Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends-some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.
Real Life is a novel of profound and lacerating power, a story that asks if it's ever really possible to overcome our private wounds, and at what cost.
Lese-Probe zu „Real Life “
1It was a cool evening in late summer when Wallace, his father dead for several weeks, decided that he would meet his friends at the pier after all. The lake was dimpled with white waves. People coveted these last blustery days of summer before the weather turned cold and mercurial. The air was heavy with their good times as the white people scattered across the tiered patios, pried their mouths apart, and beamed their laughter into each other's faces. Overhead, gulls drifted easy as anything.
Wallace stood on an upper platform looking down into the scrum, trying to find his particular group of white people, thinking also that it was still possible to turn back, that he could go home and get on with his evening. It had been a couple of years since he had gone to the lake with his friends, a period of time that embarrassed him because it seemed to demand an excuse and he did not have one. It might have had something to do with the crowds, the insistence of other people's bodies, the way the birds circled overhead, then dive-bombed the tables to grab food or root around at their feet, as though even they were socializing. Threats from every corner. There was also the matter of the noise, the desperate braying of everyone talking over everyone else, the bad music, the children and dogs, the radios from the frats down the lakeshore, the car stereos in the streets, the shouting mass of hundreds of lives disagreeing.
The noise demanded vague and strange things from Wallace.
... mehr
There, among the burgundy wooden tables nearest the lake, he saw the four of them. Or, no, more specifically, he saw Miller, who was extraordinarily tall, the easiest to spot. Then Yngve and Cole, who were merely tall, and then Vincent, who just scraped under the bar of average height. Miller, Yngve, and Cole looked like a trio of pale, upright deer, like they belonged to their own particular species, and you could be forgiven, if you were in a hurry, for thinking them related. Like Wallace and their other friends, they had all come to this Midwestern city to pursue graduate studies in biochemistry. Their class had been the first small one in quite some time, and the first in more than three decades to include a black person. In his less generous moments, Wallace thought these two things related, that a narrowing, a reduction in the number of applicants, had made his admission possible.
Wallace was on the verge of turning back-he was uncertain if the company of other people, which just a short time ago had seemed somehow necessary, was something he could bear-when Cole looked up and spotted him. Cole started to flail his arms about, as if he were trying to elongate himself to ensure that Wallace could see him, though it must have been obvious that Wallace was looking directly at them. There was no turning back after all. He waved to them.
It was Friday.
Wallace went down the half-rotten stairs and came closer to the dense algal stink of the lake. He followed the curving wall, passed the hulls of the boats, passed where the dark stones jutted out of the water, passed the long pier that stretched out into the water, with people there, too, laughing, and as he walked, he glanced out over the vast green water of the lake itself, boats skimming its surface, their sails white and sure against the wind and the low, wide sky.
It was perfect.
It was beautiful.
It was just another evening in late summer.
An hour before, Wallace had been in lab. All summer he had been breeding nematodes, which he found both boring and difficult. Nematodes are free-living, soil-dwelling microscopic worms, only about a millimeter when fully grown. His particular project was the generation of four strains of nematodes, which then had to be crossed together very carefully. It involved, first, the induction of a genetic lesion that was to be repaired in such a way as to yield a desired modification-the term
There, among the burgundy wooden tables nearest the lake, he saw the four of them. Or, no, more specifically, he saw Miller, who was extraordinarily tall, the easiest to spot. Then Yngve and Cole, who were merely tall, and then Vincent, who just scraped under the bar of average height. Miller, Yngve, and Cole looked like a trio of pale, upright deer, like they belonged to their own particular species, and you could be forgiven, if you were in a hurry, for thinking them related. Like Wallace and their other friends, they had all come to this Midwestern city to pursue graduate studies in biochemistry. Their class had been the first small one in quite some time, and the first in more than three decades to include a black person. In his less generous moments, Wallace thought these two things related, that a narrowing, a reduction in the number of applicants, had made his admission possible.
Wallace was on the verge of turning back-he was uncertain if the company of other people, which just a short time ago had seemed somehow necessary, was something he could bear-when Cole looked up and spotted him. Cole started to flail his arms about, as if he were trying to elongate himself to ensure that Wallace could see him, though it must have been obvious that Wallace was looking directly at them. There was no turning back after all. He waved to them.
It was Friday.
Wallace went down the half-rotten stairs and came closer to the dense algal stink of the lake. He followed the curving wall, passed the hulls of the boats, passed where the dark stones jutted out of the water, passed the long pier that stretched out into the water, with people there, too, laughing, and as he walked, he glanced out over the vast green water of the lake itself, boats skimming its surface, their sails white and sure against the wind and the low, wide sky.
It was perfect.
It was beautiful.
It was just another evening in late summer.
An hour before, Wallace had been in lab. All summer he had been breeding nematodes, which he found both boring and difficult. Nematodes are free-living, soil-dwelling microscopic worms, only about a millimeter when fully grown. His particular project was the generation of four strains of nematodes, which then had to be crossed together very carefully. It involved, first, the induction of a genetic lesion that was to be repaired in such a way as to yield a desired modification-the term
... weniger
Autoren-Porträt von Brandon Taylor
Brandon Taylor
Bibliographische Angaben
- Autor: Brandon Taylor
- 2021, 336 Seiten, Masse: 20 x 12,7 cm, Kartoniert (TB), Englisch
- Verlag: Riverhead Books
- ISBN-10: 0525538895
- ISBN-13: 9780525538899
- Erscheinungsdatum: 22.03.2021
Sprache:
Englisch
Pressezitat
Praise for Real Life:[A] stunning debut . . . Taylor proves himself to be a keen observer of the psychology of not just trauma, but its repercussions. . . . There is a delicacy in the details of working in a lab full of microbes and pipettes that dances across the pages like the feet of a Cunningham dancer: pure, precise poetry. Jeremy O. Harris, The New York Times Book Review
Equal parts captivating, erotic, smart and vivid . . . [rendered] with tenderness and complexity, from the first gorgeous sentence of his book to its very last . . . Taylor is also tackling loneliness, desire and more than anything finding purpose, meaning and happiness in one s own life. Time
[Real Life is] a sophisticated character study of someone squaring self-preservation with a duty to tolerate people who threaten it. The book teems with passages of transfixing description, and perhaps its greatest asset is the force of Wallace s isolation, which Taylor conveys with alien strangeness. The New Yorker
Real Life is a tender, deeply felt, perfectly paced novel about solitude and society, sexuality and race. It explores what the past means and, with brilliance and sympathy, dramatizes the intricacies of love and grief. Colm Tóibín
A blistering coming of age story. . . [Taylor] is so deft at portraying the burdens that befall young queer people of color and the forces that often hamper true connection. O: The Oprah Magazine
Brandon Taylor emerges as a powerhouse . . . . In tender, intimate and distinctive writing, Taylor explores race, sexuality and desire with a cast of unforgettable characters. Newsweek
A pleasure . . . So well written I felt like I was watching the events, rather than just reading the prose. NPR
It s fantastic. He s such a phenomenal writer, it just floors you. Elliot Page, Esquire
[A] classical ideal of a novel . . . Every scene,
... mehr
every dialogue, fits perfectly over a hall-of-famer first sentence[,] delicate interlocking layers of story that build satisfyingly up and out around Wallace, his father, and his friends. The Paris Review
A perfect, meditative read. USA TODAY
Both calm and quiet and furiously dramatic, internal and external, Real Life moves like, well, real life but with a key difference. Real life itself can be super boring. But Real Life . . . is utterly captivating all the way through. Isaac Fitzgerald, The Today Show
Taylor s vivid characterization is punishingly effective; his essayistic insights into cultural dynamics and their impact hold searing power. Erotic and ambiguous [and] hard to shake. Entertainment Weekly
One of the best debut novels in recent memory. . . . [Real Life] leaves the reader spinning. In a good way. Shondaland
Brandon Taylor reimagines the dusty expectations of the campus novel . . . Taylor is a brilliant and eloquent prose-stylist who effortlessly conveys entire lives in brief flashes of narrative insight. Most impressively, he writes deftly about the blurring of attraction, friendship, and grief. Alex McElroy, BuzzFeed News
Shattering. Elle
With the rigour of the laboratory, Taylor wields scalpel-like prose, putting human behaviours under the microscope . . . precise and masterly. Financial Times
What Taylor does next will be worth watching. The Washington Post
A novel of quiet, startling power. Harper s Bazaar
Taylor avoids cliches around campus living and instead through various interpersonal and institutional scuffles offers a look at the relentless erosion of dignity many students of color experience at college. SELF
Psychologically compelling, incisively satirical, told in a muted style that nevertheless accesses a full emotional range, this is a brilliant book, worthy of a wide audience. The Guardian
A profound look at the depths of desire, knowledge and prejudice . . . a refreshing take on the traditional campus novel. VICE
Taylor s debut is of a rare and vital sort. . . . Taylor s grip on the subtle movements of the human heart and psyche is masterful. Huffington Post
Astonishingly accomplished . . . Even at its darkest moments, Real Life is a piercingly beautiful book. In tracing the fault-lines that rip through Wallace s emotional world, Brandon Taylor has written a truly exquisite story of love, sex, death, and microbes that is both intimate and expansive. Times Literary Supplement
Explosive . . . [Real Life] gets so much right. The Point
The writer who came most to mind as I read Real Life was James Baldwin, especially the erotic Baldwin, attuned to social pressure and violence, and deeply committed to the power, the uneasy force, of sex. . . . The exquisite tension in Taylor s litany of physical details underscores the harshness that threatens the scene s placid surface. . . . The details here have the savor of the real. Bookforum
Real Life is a great American novel, a great college novel, a great summer novel, a great queer novel, a great novel of life as it has always been lived by young people waiting for their 'real life' to begin, and just a really, really great novel. . . . It's the best novel I ve read this year.' Dazed
Brandon Taylor s Real Life doubles as a great grad student novel (most attempts trade in stereotypes; this offers the real, complicated, dark thing) and a great, positively Persuasion-like novel about the relationship between consciousness and embodiment. Commonweal
A poignant, exacting story. . . . Taylor is an extraordinary cartographer of Wallace s loneliness, crafting a finely wrought story of academia, intimacy, and identity. Esquire
Real Life asks questions many of us shy from: Who is entitled to pain? How useful is an apology? Can sharing our feelings free us from them? . . . Amid the flurry of new novels drifting down like so many balloons, Real Life is the one weighted with confetti. The Paris Review
"Taylor brings the precision of a scientist to his descriptions of Wallace s desires and defenses. . . . [capturing] the ennui of those caught between the lure and the loneliness of academic science, trapped in an existence that doesn t qualify as a 'real life.'" Forbes
"Astounding." LA Review of Books
[Taylor] is as keen an observer as his subject is, and he writes with extraordinary precision: about the academy, and queerness, and race, and trauma, and ambivalent friendship, and desire. About all the things that, put together, make up something approaching real life. Constance Grady, Vox
A deeply moving study of race, grief and desire. The Sunday Times
Real Life poignantly illustrates the dissonance of not feeling accepted or understood at an institution that aggressively markets itself as immaculately progressive. The Guardian
A literary breakthrough. Interview
Brandon Taylor s bravura first novel shines a vital light on race, class and sexuality, and in doing so leaves his reader in no doubt as to his unique voice and talent. Minneapolis Star-Tribune
Taylor's writing is vibrant as much as it is brutal in its elegance and poignancy Paper
A masterful debut. LAMBDA Literary
A book wonderfully observant on the toxicity of whiteness, and a reminder of what even the smallest racial slights can do to the body and mind. Wired
As a stylist Taylor has, sentence by sentence, crafted an experience of bone-deep pleasure for the reader that stands not at odds with the melancholy of the tone of Wallace's story but in loving support of it. The penultimate chapter alone is a knockout, and its end would have been a magnificent closing for the book had the actual final sentence, a few pages later, not surpassed it. Salon
In the character of Wallace[,] readers are gifted one of the most compelling and original characters in recent memory. The Advocate
No one with a former life as a biochemist should be able to write a novel as devastatingly good as Real Life is, but here we are. Thrillist
The most indelible stories will not prepare us for heartbreak, and Brandon Taylor s debut novel is merciless in this way. . . . I ve dreamt for eons of a novel to depict gay Black men, rich with feeling and desire, reclaiming their narrative from the throes of whiteness. Without a doubt, Real Life is the first great novel this decade will ever see. Paris Close, Paperback Paris
Brandon Taylor won 2020. His debut book came out in February and it is still always on the tip of my tongue when someone asks for a recommendation. He crafted such a quiet moody book that is somehow more explosive than an action-packed thriller. Debutiful
The best portrayal of an introvert s inner and outer life in recent memory. With smooth prose and a deeply nuanced protagonist, Real Life is one of those timeless stories that also perfectly captures a generational moment. LitHub
Just as Sally Rooney s second novel perfectly captures the intimacies of a young relationship, Brandon Taylor s provocative debut tests the boundaries put in place by a queer, black graduate student. Bookpage
Taylor is a writer who really gets the indignities of inhabiting a human body, how the physical is so intimately tied to the emotional. . . . Wallace is a heady mix of judgmental and vulnerable, and it s hard not to root for him even if he decides to blow his life up. Vulture
Brandon Taylor s long-anticipated debut novel tackles timely issues while introducing a compelling protagonist who will stick with you long after the final page. Paste
One of those books that perfectly captures a generational moment while also feeling timeless. Sarah Neilson, Them
Taylor s perceptive, challenging exploration of the many kinds of emotional costs will resonate with readers looking for complex characters and rich prose. Publishers Weekly
Breathlessly physical . . . steadily exciting and affecting . . . [a] charged experience. Booklist (starred review)
There is writing so exceptional, so intricately crafted that it demands reverence. The intimate prose of Brandon Taylor s exquisite debut novel, Real Life, offers exactly that kind of writing. He writes so powerfully about so many things the perils of graduate education, blackness in a predominantly white setting, loneliness, desire, trauma, need. Wallace, the man at the center of this novel, is written with nuance and tenderness and complexity. . . . Truly, this is stunning work from a writer who wields his craft in absolutely unforgettable ways. Roxane Gay
The affections and disaffections of grad school life are shot through with the searing experience of white racial presumption and blindness in Brandon Taylor s vivid and exacting Real Life. Adam Haslett
This book blew my head and heart off. For a debut novelist to disentangle and rebraid intimacy, terror, and joy this finely seems like a myth. But that, and so much more, is what Brandon Taylor has done in Real Life. The future of the novel is here and Brandon Taylor is that future s name.
Kiese Laymon
Real Life is a gorgeous work of art, and the introduction of a singular new voice. Through Wallace, the book explores the tension of a person trying to become himself while surrounded by people who can see him only as their own projection. Even as Brandon Taylor dives beneath the level of polite surface interaction and into the ache of what people conceal from one another, or reveal only as weaponry, his sharply rendered observations make it a true pleasure to spend time in this book s world.
Danielle Evans
Real Life is one of the finest fiction debuts I've read in the last decade elegant and brutal, handled by an author whose attention to the heart is unlike any other's. A magnificent novel.
Esmé Weijun Wang
A few summer days, a group of friends, a difficult intimacy with the simplest materials, Real Life reveals the knives we pocket in good intentions, our constant, communal sabotage of love. Brandon Taylor s genius lies in the elaboration of ever more revelatory gradations of feeling; in his extraordinary debut he invents new tools for navigating the human dark in which we know one another. He is a brilliant writer, and this is a beautiful book.
Garth Greenwell
A perfect, meditative read. USA TODAY
Both calm and quiet and furiously dramatic, internal and external, Real Life moves like, well, real life but with a key difference. Real life itself can be super boring. But Real Life . . . is utterly captivating all the way through. Isaac Fitzgerald, The Today Show
Taylor s vivid characterization is punishingly effective; his essayistic insights into cultural dynamics and their impact hold searing power. Erotic and ambiguous [and] hard to shake. Entertainment Weekly
One of the best debut novels in recent memory. . . . [Real Life] leaves the reader spinning. In a good way. Shondaland
Brandon Taylor reimagines the dusty expectations of the campus novel . . . Taylor is a brilliant and eloquent prose-stylist who effortlessly conveys entire lives in brief flashes of narrative insight. Most impressively, he writes deftly about the blurring of attraction, friendship, and grief. Alex McElroy, BuzzFeed News
Shattering. Elle
With the rigour of the laboratory, Taylor wields scalpel-like prose, putting human behaviours under the microscope . . . precise and masterly. Financial Times
What Taylor does next will be worth watching. The Washington Post
A novel of quiet, startling power. Harper s Bazaar
Taylor avoids cliches around campus living and instead through various interpersonal and institutional scuffles offers a look at the relentless erosion of dignity many students of color experience at college. SELF
Psychologically compelling, incisively satirical, told in a muted style that nevertheless accesses a full emotional range, this is a brilliant book, worthy of a wide audience. The Guardian
A profound look at the depths of desire, knowledge and prejudice . . . a refreshing take on the traditional campus novel. VICE
Taylor s debut is of a rare and vital sort. . . . Taylor s grip on the subtle movements of the human heart and psyche is masterful. Huffington Post
Astonishingly accomplished . . . Even at its darkest moments, Real Life is a piercingly beautiful book. In tracing the fault-lines that rip through Wallace s emotional world, Brandon Taylor has written a truly exquisite story of love, sex, death, and microbes that is both intimate and expansive. Times Literary Supplement
Explosive . . . [Real Life] gets so much right. The Point
The writer who came most to mind as I read Real Life was James Baldwin, especially the erotic Baldwin, attuned to social pressure and violence, and deeply committed to the power, the uneasy force, of sex. . . . The exquisite tension in Taylor s litany of physical details underscores the harshness that threatens the scene s placid surface. . . . The details here have the savor of the real. Bookforum
Real Life is a great American novel, a great college novel, a great summer novel, a great queer novel, a great novel of life as it has always been lived by young people waiting for their 'real life' to begin, and just a really, really great novel. . . . It's the best novel I ve read this year.' Dazed
Brandon Taylor s Real Life doubles as a great grad student novel (most attempts trade in stereotypes; this offers the real, complicated, dark thing) and a great, positively Persuasion-like novel about the relationship between consciousness and embodiment. Commonweal
A poignant, exacting story. . . . Taylor is an extraordinary cartographer of Wallace s loneliness, crafting a finely wrought story of academia, intimacy, and identity. Esquire
Real Life asks questions many of us shy from: Who is entitled to pain? How useful is an apology? Can sharing our feelings free us from them? . . . Amid the flurry of new novels drifting down like so many balloons, Real Life is the one weighted with confetti. The Paris Review
"Taylor brings the precision of a scientist to his descriptions of Wallace s desires and defenses. . . . [capturing] the ennui of those caught between the lure and the loneliness of academic science, trapped in an existence that doesn t qualify as a 'real life.'" Forbes
"Astounding." LA Review of Books
[Taylor] is as keen an observer as his subject is, and he writes with extraordinary precision: about the academy, and queerness, and race, and trauma, and ambivalent friendship, and desire. About all the things that, put together, make up something approaching real life. Constance Grady, Vox
A deeply moving study of race, grief and desire. The Sunday Times
Real Life poignantly illustrates the dissonance of not feeling accepted or understood at an institution that aggressively markets itself as immaculately progressive. The Guardian
A literary breakthrough. Interview
Brandon Taylor s bravura first novel shines a vital light on race, class and sexuality, and in doing so leaves his reader in no doubt as to his unique voice and talent. Minneapolis Star-Tribune
Taylor's writing is vibrant as much as it is brutal in its elegance and poignancy Paper
A masterful debut. LAMBDA Literary
A book wonderfully observant on the toxicity of whiteness, and a reminder of what even the smallest racial slights can do to the body and mind. Wired
As a stylist Taylor has, sentence by sentence, crafted an experience of bone-deep pleasure for the reader that stands not at odds with the melancholy of the tone of Wallace's story but in loving support of it. The penultimate chapter alone is a knockout, and its end would have been a magnificent closing for the book had the actual final sentence, a few pages later, not surpassed it. Salon
In the character of Wallace[,] readers are gifted one of the most compelling and original characters in recent memory. The Advocate
No one with a former life as a biochemist should be able to write a novel as devastatingly good as Real Life is, but here we are. Thrillist
The most indelible stories will not prepare us for heartbreak, and Brandon Taylor s debut novel is merciless in this way. . . . I ve dreamt for eons of a novel to depict gay Black men, rich with feeling and desire, reclaiming their narrative from the throes of whiteness. Without a doubt, Real Life is the first great novel this decade will ever see. Paris Close, Paperback Paris
Brandon Taylor won 2020. His debut book came out in February and it is still always on the tip of my tongue when someone asks for a recommendation. He crafted such a quiet moody book that is somehow more explosive than an action-packed thriller. Debutiful
The best portrayal of an introvert s inner and outer life in recent memory. With smooth prose and a deeply nuanced protagonist, Real Life is one of those timeless stories that also perfectly captures a generational moment. LitHub
Just as Sally Rooney s second novel perfectly captures the intimacies of a young relationship, Brandon Taylor s provocative debut tests the boundaries put in place by a queer, black graduate student. Bookpage
Taylor is a writer who really gets the indignities of inhabiting a human body, how the physical is so intimately tied to the emotional. . . . Wallace is a heady mix of judgmental and vulnerable, and it s hard not to root for him even if he decides to blow his life up. Vulture
Brandon Taylor s long-anticipated debut novel tackles timely issues while introducing a compelling protagonist who will stick with you long after the final page. Paste
One of those books that perfectly captures a generational moment while also feeling timeless. Sarah Neilson, Them
Taylor s perceptive, challenging exploration of the many kinds of emotional costs will resonate with readers looking for complex characters and rich prose. Publishers Weekly
Breathlessly physical . . . steadily exciting and affecting . . . [a] charged experience. Booklist (starred review)
There is writing so exceptional, so intricately crafted that it demands reverence. The intimate prose of Brandon Taylor s exquisite debut novel, Real Life, offers exactly that kind of writing. He writes so powerfully about so many things the perils of graduate education, blackness in a predominantly white setting, loneliness, desire, trauma, need. Wallace, the man at the center of this novel, is written with nuance and tenderness and complexity. . . . Truly, this is stunning work from a writer who wields his craft in absolutely unforgettable ways. Roxane Gay
The affections and disaffections of grad school life are shot through with the searing experience of white racial presumption and blindness in Brandon Taylor s vivid and exacting Real Life. Adam Haslett
This book blew my head and heart off. For a debut novelist to disentangle and rebraid intimacy, terror, and joy this finely seems like a myth. But that, and so much more, is what Brandon Taylor has done in Real Life. The future of the novel is here and Brandon Taylor is that future s name.
Kiese Laymon
Real Life is a gorgeous work of art, and the introduction of a singular new voice. Through Wallace, the book explores the tension of a person trying to become himself while surrounded by people who can see him only as their own projection. Even as Brandon Taylor dives beneath the level of polite surface interaction and into the ache of what people conceal from one another, or reveal only as weaponry, his sharply rendered observations make it a true pleasure to spend time in this book s world.
Danielle Evans
Real Life is one of the finest fiction debuts I've read in the last decade elegant and brutal, handled by an author whose attention to the heart is unlike any other's. A magnificent novel.
Esmé Weijun Wang
A few summer days, a group of friends, a difficult intimacy with the simplest materials, Real Life reveals the knives we pocket in good intentions, our constant, communal sabotage of love. Brandon Taylor s genius lies in the elaboration of ever more revelatory gradations of feeling; in his extraordinary debut he invents new tools for navigating the human dark in which we know one another. He is a brilliant writer, and this is a beautiful book.
Garth Greenwell
... weniger
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