Re-Viewing Kleist
The Discursive Construction of Authorial Subjectivity in West German Kleist Films
(Sprache: Englisch)
This study examines through textual and contextual analysis how the texts and the biography of Heinrich von Kleist have been appropriated in three West German films since 1975. The author brings to bear at least three areas of expertise - Kleist studies,...
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This study examines through textual and contextual analysis how the texts and the biography of Heinrich von Kleist have been appropriated in three West German films since 1975. The author brings to bear at least three areas of expertise - Kleist studies, film semiotics, feminist theory - in a work that closely analyzes Eric Rohmer's Die Marquise von O... , Helma Sanders-Brahms' Heinrich , and Hans Neuenfels' Heinrich Penthesilea von Kleist . Rather than discussing the loyalty of a particular film to the original texts of Kleist, Rhiel looks at each film's discursive construction of authorship and analyzes its participation in the formation of the film's textual and narrative strategies.
Autoren-Porträt von Mary Rhiel
The Author: A 1985 recipient of the Fulbright-Hayes Scholarship, Mary Rhiel received her Ph.D. in German from the University of Wisconsin-Madison. She is currently an Assistant Professor of German and Women's Studies at the University of New Hampshire.
Bibliographische Angaben
- Autor: Mary Rhiel
- 1991, Neuausg., 163 Seiten, Masse: 0,9 x 23,9 cm, Gebunden, Englisch
- Verlag: Peter Lang
- ISBN-10: 082041526X
- ISBN-13: 9780820415260
- Erscheinungsdatum: 01.10.1991
Sprache:
Englisch
Pressezitat
"A careful and well-informed analysis of the transposition of literary texts into films. It sheds light on questions of adaptation that have been troubling film scholars for years." (Brigitte Peucker, Yale University)"Mary Rhiel's 'Re-viewing Kleist' offers a provocative and original reading of Heinrich von Kleist as he and his works have been represented in recent cinema. By situating Kleist within the discourses of feminism and 'new subjectivity' emerging in the 1970s, Rhiel negotiates masterfully a fascinating interchange between textual and intertextual materials. This book is as important for its interpretive and theoretical insights as it is for the questions it raises concerning cultural concerns within contemporary Germany." (David Bathrick, Cornell University)
"Weil es der Verfasserin gelingt, die Vielzahl beachtenswerter Einzelergebnisse stringent auf umfassende Zusammenhänge zu beziehen, sollte ihre Untersuchung eine Grundlage weiterer Auseinandersetzungen mit Verfilmungen Kleistscher Texte werden." (Ulrich Kriest, Germanistik)
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