Politics, Intellectuals, and Faith

modernist art to the mechanics of propaganda. The volume then opens out in the second half to offer a series of revealing critiques of the beliefs, religious and political, that underpinned the work of leading figures of European thought and art. Finally, it also offers purer political history: piercing reflections on warfare, terrorism, and genocide as they have manifested themselves in recent decades. Feldman exposes both the new guises that warfare and terrorism have taken, and the old ideological and political arguments that have resurfaced in defending or responding to them. These pieces are distinctly and deliberately essayistic: written in the white heat of conviction and dedicated to exposition and exposé. They offer a disquieting snapshot of the twentieth and twenty-first century, but the troubling ideological zeal that they uncover is met with an equal and answering zeal for truth and understanding that leaves the reader, finally, galvanized rather than downcast."-Dr Elizabeth Barry, University of Warwick "A collection of essays covering almost two decades of research, reflection, and indeed 'falsifiable' thinking, by the same scholar is a fascinating record of discovery-of the multiple layers of the subject and of the sophisticated methodological apparatus required to grasp its complexity. Individually, the essays offer compelling perspectives on ideas, methods, and context in Pound studies. But as a whole, they are like valuable fragments and mementos that cohere into a fascinating journey of two halves. One involves Feldman the literary critic, ploughing his way through various texts by and on Pound-a journey of discovering Pound as author. The other involves Feldman the historian, plotting his ever-expanding analytic horizon from within the labyrinth of archives and the accumulating pages and references-a journey of uncovering Pound outside the text. How these two halves have interfaced and enhanced each other in the course of all these years is the most generous reward the reader can get from this collection."-Professor Aristotle Kallis, Keele University "Feldman's essays on the radical right are particularly important. In an era when far too many journalists and a surprising number of academics refuse to take their ideas seriously, Feldman reminds us just how those ideas actually matter. The intellectuals he surveys hardly need to read off the same page for their words to have a frightful power; for anyone interested in the dark ideologies that motivate a politics that shows no signs of abating, these essays are an indispensable contribution."-Dr Richard Steigmann-Gall, Kent State University "This is a remarkably wide-ranging collection of essays, principally focussed on the individuals and movements which have provided most of the ideological inspiration of present-day radical right-wing right movements: Part II also includes very penetrating analyses of both Soviet totalitarianism, and the international war policy of the USA between 1960 and 2018. Feldman's collection makes a most valuable contribution to our understanding of the ideological origins of present-day radical right movements, in particular, the influence of Ezra Pound. His careful documentary analysis of Pound's behaviour, both during his incarceration in the St Elizabeth's mental home (1945-1958) and after, conclusively demonstrates that Pound never abjured his racist, anti-Semitic or fascist views. Fittingly, Feldman, along with Anna Castriota, also dissects the ideology and policies of Ezra Pound's most lasting 'memorial', apart from his poetry, the Italian, neo-Fascist CasaPound organisation. That analysis is absolutely essential reading for an understanding of what is undoubtedly Italy's most dynamic fascist movement today. In addition, his dissection of the influence of Heidegger, his essays on Holocaust Denial and on 'lone wolf terrorism', one of the most debated issues among commentators on the radical right, and his fascinating appraisal of the full enormity of Anders Breivik's terrorism, are extremely illuminating."-Professor John Pollard, University of Cambridge