Last Night in Twisted River
A Novel
(Sprache: Englisch)
From the author of A Widow for One Year, A Prayer for Owen Meany and other acclaimed novels, comes a story of a father and a son - fugitives in 20th-century North America.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New...
In 1954, in the cookhouse of a logging and sawmill settlement in northern New...
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From the author of A Widow for One Year, A Prayer for Owen Meany and other acclaimed novels, comes a story of a father and a son - fugitives in 20th-century North America.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River - John Irving's twelfth novel - depicts the recent half-century in the United States as a world 'where lethal hatreds were generally permitted to run their course.' From the novel's taut opening sentence - 'The young Canadian, who could not have been more than fifteen, had hesitated too long.' - to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River - John Irving's twelfth novel - depicts the recent half-century in the United States as a world 'where lethal hatreds were generally permitted to run their course.' From the novel's taut opening sentence - 'The young Canadian, who could not have been more than fifteen, had hesitated too long.' - to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.
Klappentext zu „Last Night in Twisted River “
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County-to Boston, to southern Vermont, to Toronto-pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River-John Irving's twelfth novel-depicts the recent half-century in the United States as "a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel's taut opening sentence-"The young Canadian, who could not have been more than fifteen, had hesitated too long”-to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving's breakthrough bestseller, The World According to Garp.
What further distinguishes Last Night in Twisted River is the author's unmistakable voice-the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: "We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly-as if out of the sky, or as if there were a direct flight from Heaven to Earth-the same sudden way we lose people, who once seemed they would always be part of our lives.”
Lese-Probe zu „Last Night in Twisted River “
Chapter OneUnder the Logs
The young canadian, who could not have been more than fifteen, had hesitated too long. For a frozen moment, his feet had stopped moving on the floating logs in the basin above the river bend; he'd slipped entirely underwater before anyone could grab his outstretched hand. One of the loggers had reached for the youth's long hair the older man's fingers groped around in the frigid water, which was thick, almost soupy, with sloughed- off slabs of bark. Then two logs collided hard on the would-be rescuer's arm, breaking his wrist. The carpet of moving logs had completely closed over the young Canadian, who never surfaced; not even a hand or one of his boots broke out of the brown water.
Out on a logjam, once the key log was pried loose, the river drivers had to move quickly and continually; if they paused for even a second or two, they would be pitched into the torrent. In a river drive, death among moving logs could occur from a crushing injury, before you had a chance to drown but drowning was more common.
From the riverbank, where the cook and his twelve-year-old son could hear the cursing of the logger whose wrist had been broken, it was immediately apparent that someone was in more serious trouble than the would-be rescuer, who'd freed his injured arm and had managed to regain his footing on the flowing logs. His fellow river drivers ignored him; they moved with small, rapid steps toward shore, calling out the lost boy's name. The loggers ceaselessly prodded with their pike poles, directing the floating logs ahead of them. The rivermen were, for the most part, picking the safest way ashore, but to the cook's hopeful son it seemed that they might have been trying to create a gap of sufficient width for the young Canadian to emerge. In truth, there were now only intermittent gaps
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between the logs. The boy who'd told them his name was "Angel Pope, from Toronto," was that quickly gone.
"Is it Angel?" the twelve-year-old asked his father. This boy, with his dark-brown eyes and intensely serious expression, could have been mistaken for Angel's younger brother, but there was no mistaking the family resemblance that the twelve-year-old bore to his ever-watchful father. The cook had an aura of controlled apprehension about him, as if he routinely anticipated the most unforeseen disasters, and there was something about his son's seriousness that reflected this; in fact, the boy looked so much like his father that several of the woodsmen had expressed their surprise that the son didn't also walk with his dad's pronounced limp.
The cook knew too well that indeed it was the young Canadian who had fallen under the logs. It was the cook who'd warned the loggers that Angel was too green for the river drivers' work; the youth should not have been trying to free a logjam. But probably the boy had been eager to please, and maybe the rivermen hadn't noticed him at first.
In the cook's opinion, Angel Pope had also been too green (and too clumsy) to be working in the vicinity of the main blade in a sawmill. That was strictly the sawyer's territory a highly skilled position in the mills. The planer operator was a relatively skilled position, too, though not particularly dangerous.
The more dangerous and less skilled positions included working on the log deck, where logs were rolled into the mill and onto the saw carriage, or unloading logs from the trucks. Before the advent of mechanical loaders, the logs were unloaded by releasing trip bunks on the sides of the trucks this allowed an entire load to roll off a truck at once. But the trip
"Is it Angel?" the twelve-year-old asked his father. This boy, with his dark-brown eyes and intensely serious expression, could have been mistaken for Angel's younger brother, but there was no mistaking the family resemblance that the twelve-year-old bore to his ever-watchful father. The cook had an aura of controlled apprehension about him, as if he routinely anticipated the most unforeseen disasters, and there was something about his son's seriousness that reflected this; in fact, the boy looked so much like his father that several of the woodsmen had expressed their surprise that the son didn't also walk with his dad's pronounced limp.
The cook knew too well that indeed it was the young Canadian who had fallen under the logs. It was the cook who'd warned the loggers that Angel was too green for the river drivers' work; the youth should not have been trying to free a logjam. But probably the boy had been eager to please, and maybe the rivermen hadn't noticed him at first.
In the cook's opinion, Angel Pope had also been too green (and too clumsy) to be working in the vicinity of the main blade in a sawmill. That was strictly the sawyer's territory a highly skilled position in the mills. The planer operator was a relatively skilled position, too, though not particularly dangerous.
The more dangerous and less skilled positions included working on the log deck, where logs were rolled into the mill and onto the saw carriage, or unloading logs from the trucks. Before the advent of mechanical loaders, the logs were unloaded by releasing trip bunks on the sides of the trucks this allowed an entire load to roll off a truck at once. But the trip
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Autoren-Porträt von John Irving
John Irving
Bibliographische Angaben
- Autor: John Irving
- 2010, Internationale Ausgabe, 608 Seiten, Masse: 10,8 x 17,8 cm, Kartoniert (TB), Englisch
- Verlag: Ballantine
- ISBN-10: 0345523776
- ISBN-13: 9780345523778
- Erscheinungsdatum: 31.05.2010
Sprache:
Englisch
Pressezitat
Absolutely unmissable . . . [A] big-hearted, brilliantly written and superbly realized intergenerational tale of a father and son. Financial TimesEngrossing . . . Irving s sentences and paragraphs are assembled with the skill and attention to detail of a master craftsman creating a dazzling piece of jewelry from hundreds of tiny, bright stones. Houston Chronicle
There s plenty of evidence in Irving s agility as a writer in Last Night in Twisted River. . . . some of the comic moments are among the most memorable that Irving has written. New York Times
A rich and evocative story. Washington Post
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