Explorations in Cinema through Classical Indian Theories
New Interpretations of Meaning, Aesthetics, and Art
(Sprache: Englisch)
This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the...
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This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them.Inhaltsverzeichnis zu „Explorations in Cinema through Classical Indian Theories “
1. Introduction.- 2. Film Theories and Cinema: Limitations of Disembodied Vision in Existing Film Discourse.- 3. Vedic Cosmology and the Notion of Correlative Opposites: A Classical Indian Paradigm of Thought and Its Influence on Artworks.- 4. Nyaya Theory of Perception or Pratyaksa: An Embodied Theory of "Meaning" and Its Relation to Cinema.- 5. Bharata's Theory of Rasa or Aesthetic Pleasure: Classical Indian Theories of "Aesthetics" and Their Relation to Cinema.- 6. Anandavardhana's Theory of Suggestion or Dhvani: Classical Indian Theories of "Art" and Their Relation to Cinema.- 7. Conclusion
Autoren-Porträt von Gopalan Mullik
Dr. Gopalan Mullik is a Visiting Lecturer at St. Xavier's University, Kolkata, India.
Bibliographische Angaben
- Autor: Gopalan Mullik
- 2021, 1st ed. 2020, XV, 351 Seiten, 12 farbige Abbildungen, Masse: 14,8 x 21 cm, Kartoniert (TB), Englisch
- Verlag: Springer, Berlin
- ISBN-10: 3030456137
- ISBN-13: 9783030456139
Sprache:
Englisch
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