Die jungen Kosmopoliten
Prozesse von Aneignung und Abgrenzung in der zeitgenössischen türkischen Literatur
Young authors from Turkey question boundaries, they are challenging borders between nations, between humans, between times. Their works reflect a new zeitgeist which is often shaped by contradictions, but instead of trying to dissolve these contradictions,...
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Young authors from Turkey question boundaries, they are challenging borders between nations, between humans, between times. Their works reflect a new zeitgeist which is often shaped by contradictions, but instead of trying to dissolve these contradictions, withdrawing to one's own and raising the boundaries to the other, they learn and teach to endure these contradictions, to let them stand.This justifies the designation of these Turkish authors as "young cosmopolitans", considering that sociologist Ulrich Beck emphasizes the fact that cosmopolitanism ignores the principle of the either-or and embodies an as-well-as-thinking. It is precisely this as-well-as-thinking that has become the determining principle of the works of contemporary Turkish authors. Its implementation includes features of cosmopolitan literature such as ambiguity, simultaneity, polyperspectivity, ambiguity in terms of literary spaces and figures, as well as locally and globally identifiable themes and the depiction of the dialectics of the conflict between the cosmopolitan and its opponents. All this can be exemplified by the following works analyzed here: Yitik Gözün Boslugunda (In the Void of the Lost Eye, 1996) and Kirmizi Pelerinli Kent (The City with the Red Pelerine, 1998 ) by Asli Erdogan; The Saint of Incipient Insanities (2004) and Iskender (Iskender, 2011) by Elif Safak; Esmahan Aykol's novel Savrulanlar (The Scattered, 2006) and Hakan Günday's novel Az (Little, 2011).
These contemporary Turkish authors create a literature that cannot be easily instrumentalized, that is no longer in the service of a nation, but promotes a new view on an equally regional and global world, which includes today's Turkey. While the political situation in Turkey remains difficult and the country is once again challenged by inner tensions and hostile oppositions, these writers and their works are of utmost importance. Their voices, their texts show a different picture, another option of Turkish
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society. In this sense, this thesis not only wants to broaden the current research on contemporary Turkish literature, especially in German-speaking countries, but also emphasizes that literature celebrates diversity and deliberately reflects the countless nuances of an actually very heterogeneous Turkish society, while politics fuel resentments and push the boundaries higher.
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Autoren-Porträt von Katharina M. Müller
Katharina Müller, geboren 1984, arbeitet seit 2018 als DAAD-Lektorin an der Helwan-Universität in Kairo, Ägypten. Sie studierte Islamwissenschaft, Neuere und Neueste Geschichte sowie Deutsche Philologie in Münster und Istanbul und promovierte an der Münsteraner Graduate School Practices of Literature zu Prozessen der Aneignung und Abgrenzung in der türkischen Gegenwartsliteratur. Im Anschluss war sie unter anderem als Dozentin für deutsche Literatur, Literaturtheorie und Wissenschaftsgeschichte an der Marmara Universität in Istanbul beschäftigt. Bibliographische Angaben
- Autor: Katharina M. Müller
- 2020, 232 Seiten, Masse: 17,9 x 24,3 cm, Gebunden, Deutsch
- Verlag: Reichert
- ISBN-10: 3954902575
- ISBN-13: 9783954902576
- Erscheinungsdatum: 08.11.2019
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