Avant-Garde Theatre Sound
Staging Sonic Modernity
(Sprache: Englisch)
Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic...
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Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
Inhaltsverzeichnis zu „Avant-Garde Theatre Sound “
Introduction: The Sound of No Hands Clapping 1. The Acoustic Imaginary 2. Theatre Sound in the Age of Mechanical Reproduction 3. Reinventing Language: Sense and Nonsense 4. Hearing Affectively: The Noise of Avant-Garde Performance Conclusion: A Resounding.
Autoren-Porträt von A. Curtin
Adrian Curtin is Lecturer in the Drama department at the University of Exeter, UK.
Bibliographische Angaben
- Autor: A. Curtin
- 2014, 1st ed., 260 Seiten, Masse: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349459062
- ISBN-13: 9781349459063
Sprache:
Englisch
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