The End of the Affair (ePub)
(Sprache: Englisch)
Graham Greene's masterful novel of love and betrayal in World War II London is "undeniably a major work of art" (The New Yorker).
Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful...
Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful...
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Graham Greene's masterful novel of love and betrayal in World War II London is "undeniably a major work of art" (The New Yorker).
Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful wife of a dull civil servant named Henry. Maurice claims it's to divine a character for his novel-in-progress. That's the first deception. What he really wants is Sarah, and what Sarah needs is a man with passion. So begins a series of reckless trysts doomed by Maurice's increasing romantic demands and Sarah's tortured sense of guilt. Then, after Maurice miraculously survives a bombing, Sarah ends the affair-quickly, absolutely, and without explanation. It's only when Maurice crosses paths with Sarah's husband that he discovers the fallout of their duplicity-and it's more unexpected than Maurice, Henry, or Sarah herself could have imagined.
Adapted for film in both 1956 and 1999, Greene's novel of all that inspires love-and all that poisons it-is "singularly moving and beautiful" (Evelyn Waugh).
Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful wife of a dull civil servant named Henry. Maurice claims it's to divine a character for his novel-in-progress. That's the first deception. What he really wants is Sarah, and what Sarah needs is a man with passion. So begins a series of reckless trysts doomed by Maurice's increasing romantic demands and Sarah's tortured sense of guilt. Then, after Maurice miraculously survives a bombing, Sarah ends the affair-quickly, absolutely, and without explanation. It's only when Maurice crosses paths with Sarah's husband that he discovers the fallout of their duplicity-and it's more unexpected than Maurice, Henry, or Sarah herself could have imagined.
Adapted for film in both 1956 and 1999, Greene's novel of all that inspires love-and all that poisons it-is "singularly moving and beautiful" (Evelyn Waugh).
Autoren-Porträt von Graham Greene
Graham Greene (1904-1991) is recognized as one of the most important writers of the twentieth century, achieving both literary acclaim and popular success. His best known works include Brighton Rock, The Heart of the Matter, The Quiet American, and The Power and the Glory. After leaving Oxford, Greene first pursued a career in journalism before dedicating himself full-time to writing with his first big success, Stamboul Train. He became involved in screenwriting and wrote adaptations for the cinema as well as original screenplays, the most successful being The Third Man. Religious, moral, and political themes are at the root of much of his work, and throughout his life he traveled to some of the wildest and most volatile parts of the world, which provided settings for his fiction. Greene was a member of the Order of Merit and a Companion of Honour.Bibliographische Angaben
- Autor: Graham Greene
- 2018, 160 Seiten, Englisch
- Verlag: Open Road Media
- ISBN-10: 1504052471
- ISBN-13: 9781504052474
- Erscheinungsdatum: 13.03.2018
Abhängig von Bildschirmgrösse und eingestellter Schriftgrösse kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: ePub
- Grösse: 4.69 MB
- Ohne Kopierschutz
Sprache:
Englisch
Pressezitat
“Remains from first to last an almost faultless display of craftsmanship and a wonderfully assured statement of ideas.” —The New Yorker“The relationship of lover to husband with its crazy mutation of pity, hate, comradeship, jealousy, and contempt is superbly described. . . . The heroine is consistently lovable.” —Evelyn Waugh
“An absorbing piece of work, passionately felt and strikingly written.” —The Atlantic Monthly
“One of the most true and moving novels of my time, in anybody’s language.” —William Faulkner
“As intense and penetrating and disturbing as an inquisitor’s gaze.” —John Updike, The New York Review of Books
“Savage and sad, vulgar and ideal, coarse and refined, and a rather accurate image of an era of cunning and glory, of cowardice and heroism, of belief and unbelief.” —The New York Times
“Oh, how I love [this] book! It’s about ships passing in the night and grave misunderstandings and lost opportunities and time running out. It gets me every time.” —Reese Witherspoon, The New York Times
Praise for Graham Greene
“The most ingenious, inventive and exciting of our novelists, rich in exactly etched and moving portraits of real human beings . . . A master of storytelling.” —V. S. Pritchett, The Times (London)
“In a class by himself . . . The ultimate chronicler of twentieth-century man’s consciousness and anxiety.” —William Golding
“A superb storyteller with a gift for provoking controversy.” —The New York Times
“Greene had the sharpest eyes for trouble, the finest nose for human weaknesses, and was pitilessly honest in his observations. . . . For experience of a whole century he was the man
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within.” —Norman Sherry, The Independent
“No serious writer of [the twentieth] century has more thoroughly invaded and shaped the public imagination than Graham Greene.” —Time
“One of the finest writers of any language.” —The Washington Post
“A superb storyteller—he had a talent for depicting local colour, a keen sense of the dramatic, an eye for dialogue, and skill in pacing his prose.” —The New York Times
“Graham Greene was a profound and experimental stylist.” —Time Out
“Graham Greene had wit and grace and character and story and a transcendent universal compassion that places him for all time in the ranks of world literature.” —John le Carré
“Greene was a force beyond his books.” —Melvyn Bragg
“Greene’s fictional products are to conventional mystery stories what an Alfred Hitchcock exercise in cinematic suspense is to the ordinary Grade B Whodunit.” —Weekly Book Review
“Mr. Greene’s extraordinary power of plot-making, of suspense and of narration . . . moves continuously both in time and space and in emotion.” —The Times (London)
“Graham Greene taught us to understand the social and economic cripples in our midst. He taught us to look at each other with new eyes. I don’t suppose his influence will ever disappear.” —Auberon Waugh, The Independent
“A masterly storyteller . . . An enormously popular writer who was also one of the most significant novelists of his time.” —Newsweek
“No serious writer of [the twentieth] century has more thoroughly invaded and shaped the public imagination than Graham Greene.” —Time
“One of the finest writers of any language.” —The Washington Post
“A superb storyteller—he had a talent for depicting local colour, a keen sense of the dramatic, an eye for dialogue, and skill in pacing his prose.” —The New York Times
“Graham Greene was a profound and experimental stylist.” —Time Out
“Graham Greene had wit and grace and character and story and a transcendent universal compassion that places him for all time in the ranks of world literature.” —John le Carré
“Greene was a force beyond his books.” —Melvyn Bragg
“Greene’s fictional products are to conventional mystery stories what an Alfred Hitchcock exercise in cinematic suspense is to the ordinary Grade B Whodunit.” —Weekly Book Review
“Mr. Greene’s extraordinary power of plot-making, of suspense and of narration . . . moves continuously both in time and space and in emotion.” —The Times (London)
“Graham Greene taught us to understand the social and economic cripples in our midst. He taught us to look at each other with new eyes. I don’t suppose his influence will ever disappear.” —Auberon Waugh, The Independent
“A masterly storyteller . . . An enormously popular writer who was also one of the most significant novelists of his time.” —Newsweek
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