Penny Siopis (ePub)
Time and Again
(Sprache: Englisch)
With her earliest work, Penny Siopis established herself as one of the most talented and challenging visual artists in and beyond South Africa. Penny Siopis: Time and Again engages in a variety of ways with her work of the past thirty-five years. A...
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With her earliest work, Penny Siopis established herself as one of the most talented and challenging visual artists in and beyond South Africa. Penny Siopis: Time and Again engages in a variety of ways with her work of the past thirty-five years. A conversation between the artist and the editor, Gerrit Olivier, unfolds throughout the book, giving the reader fascinating insights into her working methods, her strong interest in form and different genres, her theoretical concerns and her views on the position of art in a socio-political context. The first chapter by Achille Mbembe, on her latest work, considers how creation takes hold in the wake of loss. Siopis's abiding interest in what she calls 'the poetics of vulnerability' - manifest in a tension between materiality and image - coalesces with her explorations of history, sexuality, race, memory, estrangement and violence in her paintings, installations and films. With reference to works such as Patience on a Monument, Pinky Pinky, Shame, My Lovely Day, Obscure
White Messenger and Communion, these themes are explored in commentaries by TJ Demos, Jennifer Law, Njabulo Ndebele, Sarah Nuttall, Griselda Pollock and Colin Richards. A conversation between Siopis and William Kentridge illuminates the trajectory of their own work and that of South African art. The elegant design of the book showcases what Alessandra De Angelis calls the 'incredible beauty' of Siopis's work. The vibrant imagery is testimony to Siopis's ability to combine profound ideas with forms that have a visceral impact on the viewer. As suggested by the title, this book is a stitching together of memory and the promise of return, of loss and creation in a process of perpetual renewal.
White Messenger and Communion, these themes are explored in commentaries by TJ Demos, Jennifer Law, Njabulo Ndebele, Sarah Nuttall, Griselda Pollock and Colin Richards. A conversation between Siopis and William Kentridge illuminates the trajectory of their own work and that of South African art. The elegant design of the book showcases what Alessandra De Angelis calls the 'incredible beauty' of Siopis's work. The vibrant imagery is testimony to Siopis's ability to combine profound ideas with forms that have a visceral impact on the viewer. As suggested by the title, this book is a stitching together of memory and the promise of return, of loss and creation in a process of perpetual renewal.
Autoren-Porträt von Griselda Pollock, Colin Richards, Gerrit Olivier, Alessandra De Angelis, T. J. Demos, William Kentridge, Jennifer Law, Achille Mbembe, Sarah Nuttall, Njabulo Ndebele
Gerrit Olivier is professor of Afrikaans and Dutch Literature at the University of the Witwatersrand, Johannesburg, and currently teaches in the Wits School of Arts.Gerrit Olivier is professor of Afrikaans and Dutch Literature at the University of the Witwatersrand, Johannesburg, and currently teaches in the Wits School of Arts.
Alessandra De Angelis is a research fellow at the University of Naples ‘L’Orientale’. She co-edited the book The Postcolonial Museum: The Arts of Memory and the Pressures of History.
T.J. Demos teaches Art History at University College London. He is the author of The Migrant Image: The Art and Politics of Documentary during Global Crisis and Return to the Postcolony: Spectres of Colonialism in Contemporary Art.
William Kentridge is a South African artist best known for his work in print, charcoal and animated film. His work has been exhibited in museums and galleries around the world.
Jennifer Law is an artist, writer and researcher and the chair of Open Studio Contemporary Printmaking Centre in Toronto. She has published extensively on South African, Caribbean and Canadian contemporary art
Achille Mbembe is Research Professor in History and Politics at the University of the Witwatersrand, Johannesburg and is affiliated to the Wits Institute for Social and Economic Research (WISER).
Sarah Nuttall is Professor of Literary and Cultural Studies and director of the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand, Johannesburg.
Njabulo Ndebele is a former vice-chancellor of the University of Cape Town (UCT). He is emeritus professor and honorary fellow in the Archive and Public Culture Research Initiative at UCT.
Griselda Pollock is director of the Centre for Cultural Analysis, Theory and History and professor of Social and Critical Histories of Art at the University of Leeds.
Colin Richards was professor of Fine Arts at the University of the Witwatersrand,
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Johannesburg, and Michaelis School of Fine Art, University of Cape Town. He wrote extensively on contemporary South African art and art theory.
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Bibliographische Angaben
- Autoren: Griselda Pollock , Colin Richards , Gerrit Olivier , Alessandra De Angelis , T. J. Demos , William Kentridge , Jennifer Law , Achille Mbembe , Sarah Nuttall , Njabulo Ndebele
- 2014, 320 Seiten, Englisch
- Herausgegeben: Gerrit Olivier
- Verlag: Abingdon Press
- ISBN-10: 1868148157
- ISBN-13: 9781868148158
- Erscheinungsdatum: 01.12.2014
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eBook Informationen
- Dateiformat: ePub
- Grösse: 82 MB
- Mit Kopierschutz
Sprache:
Englisch
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