Physical Evidence for Ritual Acts, Sorcery and Witchcraft in Christian Britain / Palgrave Historical Studies in Witchcraft and Magic (PDF)
A Feeling for Magic
(Sprache: Englisch)
This volume investigates the physical evidence for magic in medieval and modern Britain, including ritual mark, concealed objects, amulets, and magical equipment. The contributors are the current experts in each area of the subject, and show between them...
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Produktinformationen zu „Physical Evidence for Ritual Acts, Sorcery and Witchcraft in Christian Britain / Palgrave Historical Studies in Witchcraft and Magic (PDF)“
This volume investigates the physical evidence for magic in medieval and modern Britain, including ritual mark, concealed objects, amulets, and magical equipment. The contributors are the current experts in each area of the subject, and show between them how ample the evidence is and how important it is for an understanding of history.
Autoren-Porträt
John Billingsley, Independent Scholar, UK Tabitha Cadbury, Plymouth City Museum and Art Gallery, UK Matthew Champion, Freelance Archaeologist, UK Alexander Cummins, University of Bristol, UK Owen Davies, University of Hertfordshire, UK Timothy Easton, Independent Artist and Sculptor, UK Dinah Eastop, University College London, UK Ian Evans, University of Newcastle, NSW, Australia Brian Hoggard, Independent Scholar, UK M. Chris Manning, Dovetail Cultural Resource Group, USA June Swann MBE, Northampton Museum, UKBibliographische Angaben
- 2016, 1st ed. 2016, 261 Seiten, Englisch
- Herausgegeben: Ronald Hutton
- Verlag: Palgrave Macmillan
- ISBN-10: 1137444827
- ISBN-13: 9781137444820
- Erscheinungsdatum: 26.01.2016
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Sprache:
Englisch
Pressezitat
“Ronald Hutton, Timothy Eastham and their fellow contributors are to be congratulated on a book full of interest. … the book is largely concerned with the English evidence but with a final glance at Australia and United States. Its great merit is that it takes seriously as a subject of study the puzzling graffiti scratched, drawn and painted in buildings. … the book is really the beginning of a conversation rather than the last word on the subject.” (Richard Suggett, Archaeologia Cambrensis, Vol. 166, 2017)
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