Bartók and the Grotesque (ePub)
Studies in Modernity, the Body and Contradiction in Music
(Sprache: Englisch)
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince...
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The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart,ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart, concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart,eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart,as composing.
Autoren-Porträt von Julie Brown
Julie Brown is Senior Lecturer in the Department of Music at Royal Holloway, University of London, UK.
Bibliographische Angaben
- Autor: Julie Brown
- 2017, 192 Seiten, Englisch
- Verlag: Taylor & Francis
- ISBN-10: 1351574566
- ISBN-13: 9781351574563
- Erscheinungsdatum: 05.07.2017
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- Grösse: 3.06 MB
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Englisch
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