Year on Fire
(Sprache: Englisch)
New York Times bestselling author Julie Buxbaum explores the blinding power of lies, the tight grip of family secrets, and the magic of first love in this poignant novel about a trio of friends and the allure of romantic feelings that fractures their...
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New York Times bestselling author Julie Buxbaum explores the blinding power of lies, the tight grip of family secrets, and the magic of first love in this poignant novel about a trio of friends and the allure of romantic feelings that fractures their bond as they struggle to remain true to themselves while building back the grounding friendship on which they once relied.It was a year on fire. They fell in love. Someone was bound to get burned.
The Spark: Just days before the start of junior year, a spontaneous kiss and then a lie shake the very foundation of the friendship between best friends Immie and Paige. Immie’s twin brother, Arch, knows something, only he’s not talking. Some loyalties run too deep to be broken by accidental betrayal.
The Fuel: Enter Rohan, new to Wood Valley High by way of London, who walks into school on the first day completely overwhelmed by his sudden move halfway around the world. When Paige calls dibs on him—he’s too cute to ignore—Immie is in no position to argue, certainly not after taking the fall for the disloyal kiss. Too bad for Immie that Ro feels like the best kind of familiar.
The Kindling: Former lab partners Arch and Jackson, Paige’s ex-boyfriend, have never considered themselves more than friends. But sometimes feelings can grow like flames fanned by the wind.
The Flames: When the girls’ bathroom at Wood Valley is set ablaze, no one doubts it’s arson. But in this bastion of privilege, who’d be angry enough to want to burn down the school? Answer: pretty much everyone.
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Chapter OneImmie
A single kiss had blown up Immie Gibson s life. How strange that two people s lips touching--not even Immie s lips, mind you, but two other people s lips and for no more than thirty seconds--could be the reason why, on this first day of junior year, Immie sat sweating in her linen shirt. That s how long Arch had said the kiss with Jackson had lasted: thirty seconds, tops.
On reflection, maybe it wasn t that strange. After all, Immie had never been kissed, not properly, not in the way you see in movies, with eyes closed and a sudden, lurching passion.
Maybe everyone else knew that kissing bent the space-time continuum and validated chaos theory and also could indirectly make your best friend low-key hate you.
Maybe this kind of thing happened every day.
Bad idea, Paige said, pointing to Immie s shirt. Linen always wrinkles. Her button-down had somehow, during the ride to school, turned from crisp and optimistic to defeated. Crumpled, like her mood.
Do I have sweat stains? I feel like I have sweat stains, Immie said, pretending she didn t notice the new way Paige liked to throw tiny darts in her direction, how it was not yet eight-thirty a.m. and her torso was made up of a million microscopic seeping wounds.
Say that a little louder. I think the boys in the back didn t hear you, Paige said.
You do not have sweat stains, Arch said. Relax, Im.
Paige had been Immie s best friend since seventh grade, when Immie arrived at Wood Valley Middle School feeling nervous and overwhelmed, a donkey in a field of ponies. Middle school was supposed to be filled with awkward kids--braces and acne, an inability to move smoothly through the world, like you hadn t yet been given the map. Wood Valley, on the other hand, was packed with the well-mannered, the well-groomed, the already slick. The girls even carried cute pouches--canvas and pink polka-dotted and
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monogrammed--to hold their new menstrual products, like puberty was adorable and fun.
Even at the horrific age of thirteen, Immie knew: these people were born with maps. The rules didn t apply.
Also, her period was horrifying.
At their very first assembly in the auditorium, the headmaster stood on the stage and told the gathered mid-pubescents that their admittance to Wood Valley and this important first year of seventh grade were the start of an illustrious career.
Paige, who was sitting to Immie s right, as she would many times after that by choice, but whose appearance that first day seemed like nothing short of a miracle, sneezed into her hand the word: bullshit. Immie thrilled at the transgression. Archer, Immie s twin brother who always sat to her left, who had sat there since pre-K, probably since the womb, wrote down the words illustrious career in his shiny, new composition notebook in neat block letters, and then underlined it twice. Arch was born first, by four minutes, so they were always Arch and Immie, a single unit. Or Archer and Imogen, if their dad was angry. They had never been Immie and Arch (or, worse, the matchy-matchy Immie and Archie), which sounded like a crime-fighting duo in a kids chapter book.
Sometimes things are set in the beginning.
That s what it felt like when Immie found herself sitting in between her brother and Paige on that first day of seventh grade, like the ground was firming beneath her feet, right there at the start of their illustrious careers or this bullshit, depending on your perspective. They would be Arch and Immie and Paige from then on.
Immie s premonition had been right, or maybe it wasn t a premonition. Perhaps she d willed it. Either way, they soon became a threesome. Paige had rolled up like seventh
Even at the horrific age of thirteen, Immie knew: these people were born with maps. The rules didn t apply.
Also, her period was horrifying.
At their very first assembly in the auditorium, the headmaster stood on the stage and told the gathered mid-pubescents that their admittance to Wood Valley and this important first year of seventh grade were the start of an illustrious career.
Paige, who was sitting to Immie s right, as she would many times after that by choice, but whose appearance that first day seemed like nothing short of a miracle, sneezed into her hand the word: bullshit. Immie thrilled at the transgression. Archer, Immie s twin brother who always sat to her left, who had sat there since pre-K, probably since the womb, wrote down the words illustrious career in his shiny, new composition notebook in neat block letters, and then underlined it twice. Arch was born first, by four minutes, so they were always Arch and Immie, a single unit. Or Archer and Imogen, if their dad was angry. They had never been Immie and Arch (or, worse, the matchy-matchy Immie and Archie), which sounded like a crime-fighting duo in a kids chapter book.
Sometimes things are set in the beginning.
That s what it felt like when Immie found herself sitting in between her brother and Paige on that first day of seventh grade, like the ground was firming beneath her feet, right there at the start of their illustrious careers or this bullshit, depending on your perspective. They would be Arch and Immie and Paige from then on.
Immie s premonition had been right, or maybe it wasn t a premonition. Perhaps she d willed it. Either way, they soon became a threesome. Paige had rolled up like seventh
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Autoren-Porträt von Julie Buxbaum
JULIE BUXBAUM is the New York Times bestselling author of the young adult novels Tell Me Three Things, What to Say Next, Hope and Other Punch Lines, and Admission. She also wrote the critically acclaimed The Opposite of Love and After You. She lives in Los Angeles with her husband and two children. Visit her online at JulieBuxbaum.com and follow her on Twitter @juliebux and on Instagram at @ juliebuxbaum.
Bibliographische Angaben
- Autor: Julie Buxbaum
- Altersempfehlung: Ab 12 Jahre
- 2022, Internationale Ausgabe, 336 Seiten, Masse: 14,1 x 20,8 cm, Kartoniert (TB), Englisch
- Verlag: Delacorte Press
- ISBN-10: 0593487052
- ISBN-13: 9780593487051
- Erscheinungsdatum: 28.04.2022
Sprache:
Englisch
Pressezitat
"Portrayals of healthy teen romance provide a hopeful backdrop as family trauma and insecurities come to light . . . in this tender exploration of love and loyalty." Publishers Weekly, starred review "Four Los Angeles teens negotiate their relationships. . . real issues told with earnest heart." Kirkus Reviews
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