Visual Perception
Physiology, Psychology, and Ecology
(Sprache: Englisch)
This edition contains over 460 additional references and the treatment of visual psychology in the early chapters has been extensively revised.
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Produktdetails
Produktinformationen zu „Visual Perception “
This edition contains over 460 additional references and the treatment of visual psychology in the early chapters has been extensively revised.
Klappentext zu „Visual Perception “
This comprehensively updated and expanded revision of the successful second edition continues to provide detailed coverage of the ever-growing range of research topics in vision. In Part I, the treatment of visual physiology has been extensively revised with an updated account of retinal processing, a new section explaining the principles of spatial and temporal filtering which underlie discussions in later chapters, and an up-to-date account of the primate visual pathway.Part II contains four largely new chapters which cover recent psychophysical evidence and computational model of early vision: edge detection, perceptual grouping, depth perception, and motion perception. The models discussed are extensively integrated with physiological evidence. All other chapters in Parts II, III, and IV have also been thoroughly updated.
Inhaltsverzeichnis zu „Visual Perception “
Part I. The Physiological Basis of Visual Perception. Light and Eyes. The Neurophysiology of the Retina. Visual Pathways in the Brain. Part II. Processing Retinal Images. Approaches to the Psychology of Visual Perception. Images, Filters and Features: The Primal Sketch. Perceptual Organisation. Perceiving Depth. The Computation of Image Motion. Object Recognition. Connectionist Models of Visual Perception. Part III. Visual Information for the Control of Action. Introduction to the Ecological Approach to Visual Perception. Visual Guidance Of Animal Locomotion. Visual Guidance of Human Action. Theories of the Control of Action. Event Perception. Perception of the Social World. Part IV. Conclusions. Contrasting Theories of Visual Perception.
Autoren-Porträt von Vicki Bruce, Patrick R. Green, Mark A. Georgeson
Vicki Bruce, Mark A. Georgeson, Patrick R. Green
Bibliographische Angaben
- Autoren: Vicki Bruce , Patrick R. Green , Mark A. Georgeson
- 2003, 4. Aufl., 496 Seiten, mit Abbildungen, Masse: 16,1 x 23,9 cm, Kartoniert (TB), Englisch
- Verlag: Psychology Press
- ISBN-10: 1841692387
- ISBN-13: 9781841692388
- Erscheinungsdatum: 23.02.2001
Sprache:
Englisch
Rezension zu „Visual Perception “
'This book is beautifully written throughout. It is clear, concise and interesting, and never makes the mistake of glossing over or avoiding important issues. I know of no other book that, in each new edition, succeeds in maintaining its coherence and its identity, while keeping pace with the changing emphasis of contemporary approaches to vision.' - Mike Harris, University of Birmingham 'The extensive revisions to the text give the book a clear edge in offering an up-to-date view of developments in the field in a very digestible form. The new edition provides the most up-to-date text on vision in the market.' - George Mather, University of Sussex
Pressezitat
'An excellent, thorough revision which turns a useful book into an indispensible one. I would strongly recommend it as a main text for undergraduate vision courses in psychology and biology and for postgraduates starting research in vision science.' - Mike Harris, University of Birmingham, UK'The new text significantly strengthens the unique position that the book occupies in the market.' - George Mather, University of Sussex, UK
'This book presents a richly detailed account of current thinking on visual perception... New sections have been added to represent important, and sometimes fascinating, new developments.' - Gillian Rhodes, University of Canterbury, New Zealand
'Teachers of final-year psychology courses on vision have long had a problem with textbooks. This book goes a long way towards correcting this situation. Arguably it goes further than any competitor, and it does so with a clear and informed style, scoring close to full marks for both conceptual and literary clarity.' - Andrew T. Smith, Royal Holloway, University of London, UK
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