The Palgrave Handbook of Asian Cinema

1. Introduction: "Asia" and Asian Cinema, Aaron Han Joon Magnan-Park, Gina Marchetti, and Tan See-Kam.- Section I: Defining Asian Cinema in the 21st Century.- 2. The Desire for a Continental Poly-Asian Cinema Movement, Aaron Han Joon Magnan-Park.- 3. Cinema and Development: Towards an Ideological History of Asian Cinema as "World Cinema", Derek Lam.- 4. Theorizing Other Asian Cinemas: The Sensorium of Transcaucasia, Anne Ciecko.- 5. East Asia's Film Business, Ruby Cheung.- 6. Alibaba Goes to the Movies, Mark Gallagher.- 7. New Media/New Asia: Dominant and Residual Geographies of Emerging Media Arts, Stephanie DeBoer.- Section II: Locating the New Asian Cinema: Changing Aesthetics, Distribution Networks, and Global Connections.- 8. Locating Turkish Cinema: Traditional Eastern Aesthetics to Western Modernity, Murat Akser.- 9. The Asian Documentary Connections: From the Yamagata International Documentary Film Festival (YIDFF) to the Asian Network of Documentary (AND), Ma Ran.- 10. Small Asias Outside of Asia-Asian Film Festivals in Europe, Eija Niskanen.- 11. Distributing and Marketing Asian Cinema: Definitions from DVD Labels, Jonathan Wroot.- 12. Contemporary Japanese Viewership: Revisiting the Cinema, Jennifer Coates.- Section III: Asian History in the Making.- 13. Peace Before the Storm: Japanese Cinematographers and Their Asian Imagination in the 1920s-30s, Daisuke Miyao.- 14. Reframing Loss: Japanese Cinematic Melancholia in Inter-Asian Contexts , Earl Jackson, Jr..- 15. Mao and Gandhi in the Fight Against Corruption: Popular Film and Social Change in China and India, Krista Van Fleit Hang.- 16. Colonial Censorship and the Cultural Politics of Chinese-language Cinemas in the Cold War, Kenny K. K. Ng.- 17. The Long Roads to Global Hollywood: Shaw Brothers, Golden Harvest and Dalian Wanda, Tan See-Kam.- Section IV: Remaking Asia and the Asian Diaspora-New Tales of an (Un) Common Past.- 18. Martial Arts Fantasies in a Globalized Age: Kung Fu Hustle and Kung Fu

Aaron Han Joon Magnan-Park is Assistant Professor in the Department of Comparative Literature at the University of Hong Kong. He has published in Asian Cinema, The Journal of Japanese and Korean Cinema, The Journal of Korean Studies, and Post Script.Gina Marchetti is Professor in the Department of Comparative Literature at the University of Hong Kong. In 1995, her book, Romance and the "Yellow Peril": Race, Sex and Discursive Strategies in Hollywood Fiction (University of California, 1993), won the award for best book in the area of cultural studies from the Association for Asian American Studies. Her recent book is Citing China: Politics, Postmodernism, and World Cinema (University Of Hawai'i Press, 2018).Tan See Kam is Associate Professor of Film Studies at the Department of English, University of Macau. He is Chair of the Asian Cinema Studies Society and Chief Editor of Asian Cinema.