The Oxford Handbook of Sound Studies
(Sprache: Englisch)
Written by the world's leading scholars and researchers in sound studies, The Oxford Handbook of Sound Studies offers new and engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as...
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Klappentext zu „The Oxford Handbook of Sound Studies “
Written by the world's leading scholars and researchers in sound studies, The Oxford Handbook of Sound Studies offers new and engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced on the shop floor, in the laboratory, the clinic, the design studio, the home, and clubs, across a broad range of historical periods and national and cultural contexts.
Inhaltsverzeichnis zu „The Oxford Handbook of Sound Studies “
Contributors; List of Figures; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun; 3. Sobbing, whining, rumbling: Listening to Automobiles as Social Practice - Stefan Krebs; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills; SECTION V: EDITING SOUND: THE DESIGN STUDIO; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington; 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor; SECTION VI: CONSUMING SOUND AND MUSIC: THE
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HOME AND BEYOND; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora; 19.The Amateur in the Age of Mechanical Music - Mark Katz; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama; Index
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Autoren-Porträt von Trevor Pinch, Karin Bijsterveld
Trevor Pinch, Cornell University;Karin Bijsterveld, Maastricht University
Bibliographische Angaben
- Autoren: Trevor Pinch , Karin Bijsterveld
- 612 Seiten, Masse: 17,1 x 24,4 cm, Kartoniert (TB), Englisch
- Herausgegeben: Trevor Pinch, Karin Bijsterveld
- Verlag: OXFORD UNIV PR
- ISBN-10: 0199995818
- ISBN-13: 9780199995813
- Erscheinungsdatum: 01.04.2013
Sprache:
Englisch
Rezension zu „The Oxford Handbook of Sound Studies “
"The wealth of audiovisual examples in these links and the breadth of the topics covered make this handbook a valuable scholarly reference and teaching resource. Bibliographies and notes at the end of each essay and the comprehensive index increase the book's usefulness as a reference tool...Essential." --Choice"A substantial and commendable addition to its field of study, laying out current trends among its most prominent scholars while also looking ahead to issues that can shape future scholarly investigation of sound and human experience." --ARSC Journal
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