The Migrant Image
The Art and Politics of Documentary during Global Crisis
(Sprache: Englisch)
T. J. Demos is Reader in Art History at University College London. He is the author of Dara Birnbaum—Technology/Transformation: Wonder Woman and The Exiles of Marcel Duchamp.
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Klappentext zu „The Migrant Image “
T. J. Demos is Reader in Art History at University College London. He is the author of Dara Birnbaum—Technology/Transformation: Wonder Woman and The Exiles of Marcel Duchamp.
Autoren-Porträt von T. J. Demos
T. J. Demos is Reader in Art History at University College London. He is the author of "Dara Birnbaum--Technology/Transformation: Wonder Woman" and "The Exiles of Marcel Duchamp."
Bibliographische Angaben
- Autor: T. J. Demos
- 368 Seiten, mit farbigen Abbildungen, Masse: 15,4 x 23,6 cm, Kartoniert (TB), Englisch
- Verlag: Duke University Press
- ISBN-10: 0822353407
- ISBN-13: 9780822353409
- Erscheinungsdatum: 04.03.2013
Sprache:
Englisch
Rezension zu „The Migrant Image “
"The Migrant Image provides an in-depth study of contemporary art in a global context, read through the specific lens of migration. T. J. Demos offers a seamless bridge between a critical and informed art history and an authoritative presentation of the socio-political interests that are essential to contextualizing each artist's practice. The achievement of The Migrant Image is to provide a full and rich justification for our paying attention to these works as multi-layered and probing artistic gestures that also have the capacity to renew a political imagination." -Claire Bishop, author of Artificial Hells: Participatory Art and the Politics of Spectatorship "T. J. Demos has established himself as a leading critic of politically engaged art, especially as it pertains to the main topic of this book, migration in the more general sense, and migration under late modern, late capitalist globalization. Nowhere else can readers access so many profiles of key works by these artists, or see their work read so deftly and thoroughly from relevant theoretical perspectives." -Terry Smith, author of Contemporary Art: World Currents
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