The Cambridge Companion to Richard Strauss
(Sprache: Englisch)
Summarizing the recent resurgence of scholarly interest in Strauss, this volume focuses on genres, social context, and perennially controversial topics. Long beloved by audiences, Richard Strauss inspired little scholarly activity until the mid 1980s, when...
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Summarizing the recent resurgence of scholarly interest in Strauss, this volume focuses on genres, social context, and perennially controversial topics. Long beloved by audiences, Richard Strauss inspired little scholarly activity until the mid 1980s, when there was a resurgence of interest on both sides of the Atlantic. This Companion reflects the latest research, showing Strauss's artistic personality to be richer and more complicated than has been previously acknowledged.
Klappentext zu „The Cambridge Companion to Richard Strauss “
Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.
Inhaltsverzeichnis zu „The Cambridge Companion to Richard Strauss “
Chronology of Strauss's life and career (Charles Youmans)Part I. Background
1. The musical world of Strauss's youth (James Deaville)
2. Strauss's compositional process (Walter Werbeck)
3. Maturity and indecision in the early works (Wayne Heisler)
Part II. Works
4. The first cycle of tone poems (David Larkin)
5. The second cycle of tone poems (James Hepokoski)
6. Strauss's road to operatic success: Guntram, Feuersnot, and Salome (Morten Kristiansen)
7. The Strauss-Hofmannsthal operas (Bryan Gilliam)
8. Opera after Hofmannsthal (Philip Graydon)
9. 'Actually, I like my songs best': Strauss's Lieder Susan Youens; 10. Last works Jürgen May; Part III. Perspectives: 11. Strauss's place in the twentieth century (Alex Ross)
12. Musical quotation and allusion in the works of Richard Strauss (Günter Brosche)
13. Strauss in the Third Reich (Michael Walter)
14. Strauss and the business of music (Scott Warfield)
15. Kapellmeister Strauss (Raymond Holden)
16. Strauss and the sexual body: the erotics of humor, philosophy, and ego-assertion (Bryan Gilliam)
17. Strauss and the nature of music (Charles Youmans)
Bibliography
Autoren-Porträt
Charles Youmans is Associate Professor of Music at Penn State University. He is the author of Richard Strauss and the German Intellectual Tradition (2005), and his articles and essays have appeared in Nineteenth-Century Music, The Musical Quarterly, the Journal of Musicology, and various edited collections.
Bibliographische Angaben
- 370 Seiten, mit Abbildungen, Masse: 17 x 24,4 cm, Kartoniert (TB), Englisch
- Ed. by Youmans, Charles
- Herausgegeben: Charles Youmans
- Verlag: Cambridge University Press
- ISBN-10: 0521728150
- ISBN-13: 9780521728157
- Erscheinungsdatum: 13.05.2015
Sprache:
Englisch
Rezension zu „The Cambridge Companion to Richard Strauss “
'[A] superbly assembled portmanteau portrait ... Readers new or already familiar with Strauss will find much else here to engage and argue with in a valuable contribution to understanding the multi-faceted enigma of the man behind the music.' Classical Music '5/5 - Readers new to or already familiar with Strauss will find much else here to engage and argue with in a valuable contribution to understanding the multi-faceted enigma of the man behind the music.' Classical Music 'The contributions are both up to date in their scholarship and eminently readable, while the copious notes to each chapter provide invaluable links to further research.' Music and Letters
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