Sharp Objects (Movie Tie-In)

Chapter One

My sweater was new, stinging red and ugly. It was May 12 but the temperature had dipped to the forties, and after four days shivering in my shirtsleeves, I grabbed cover at a tag sale rather than dig through my boxed-up winter clothes. Spring in Chicago.

In my gunny-covered cubicle I sat staring at the computer screen. My story for the day was a limp sort of evil. Four kids, ages two through six, were found locked in a room on the South Side with a couple of tuna sandwiches and a quart of milk. They'd been left three days, flurrying like chickens over the food and feces on the carpet. Their mother had wandered off for a suck on the pipe and just forgotten. Sometimes that's what happens. No cigarette burns, no bone snaps. Just an irretrievable slipping. I'd seen the mother after the arrest: twenty-two-year-old Tammy Davis, blonde and fat, with pink rouge on her cheeks in two perfect circles the size of shot glasses. I could imagine her sitting on a shambled-down sofa, her lips on that metal, a sharp burst of smoke. Then all was fast floating, her kids way behind, as she shot back to junior high, when the boys still cared and she was the prettiest, a glossy-lipped thirteen-year-old who mouthed cinnamon sticks before she kissed.

A belly. A smell. Cigarettes and old coffee. My editor, esteemed, weary Frank Curry, rocking back in his cracked Hush Puppies. His teeth soaked in brown tobacco saliva.

"Where are you on the story, kiddo?" There was a silver tack on my desk, point up. He pushed it lightly under a yellow thumbnail.

"Near done." I had two inches of copy. I needed six.

"Good. Fuck her, file it, and come to my office."

"I can come now."

"Fuck her, file it, then come to my office."

"Fine. Ten minutes." I wanted my thumbtack back.

He started out of my cubicle. His tie swayed down near his crotch.

"Preaker?"

"Yes, Curry?"

"Fuck her."

Frank Curry thinks I'm a soft touch. Might be because I'm a woman.

GILLIAN FLYNN is the author of the #1 New York Times bestseller Gone Girl, for which she wrote the Golden Globe-nominated screenplay, and the New York Times bestsellers Dark Places and Sharp Objects. A former critic for Entertainment Weekly, she lives in Chicago with her husband and children.