Musik und Humor
Strategien, Universalien, Grenzen.
"Do you know any funny music?" Singing household utensils, bone-shaking drumbeats, small ads set to music, gabbling coloratura sopranos and skilfully misproportioned piano sonatas... Over the centuries composers have used a wide variety of original...
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"Do you know any funny music?" Singing household utensils, bone-shaking drumbeats, small ads set to music, gabbling coloratura sopranos and skilfully misproportioned piano sonatas... Over the centuries composers have used a wide variety of original strategies in the attempt to make players and audiences laugh. The author maps out a profound system of the possibilities of musical humour, which range from modified single notes to large-scale parodic works.Based on a specially devised theory of appropriateness, the book immerses us in the historical discourse surrounding the feasibility and perceived value of musical humour, outlines the issues of reception and illustrates the general problems of researching humour.
The focus of the study is the first comprehensive taxonomy of strategies for creating humour within music - with many musical examples from a range of periods, styles and genres.
Bibliographische Angaben
- Autor: Maria Goeth
- 2016, 360 Seiten, 40 Abbildungen, Masse: 17,4 x 24,6 cm, Gebunden, Deutsch
- Verlag: Olms Wissenschaft
- ISBN-10: 3487154269
- ISBN-13: 9783487154268
- Erscheinungsdatum: 27.09.2016
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