Men Without Women
Stories
(Sprache: Englisch)
Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka's Gregor Samsa, brought...
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Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka's Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.
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The call came in after one a.m. and woke me up. Phones ringing in the middle of the night always sound harsh and grating, like some savage metal tool out to destroy the world. I felt it was my duty, as a member of the human race, to put a stop to it, so I got out of bed, padded over to the living room, and picked up the receiver.A man s low voice informed me that a woman had vanished from this world forever. The voice belonged to the woman s husband. At least that s what he said. And he went on. My wife committed suicide last Wednesday, he said. In any case, I thought I should let you know. In any case. As far as I could make out, there was not a drop of emotion in his voice. It was like he was reading lines meant for a telegram, with barely any space at all between each word. An announcement, pure and simple. Unadorned reality. Period.
What did I say in response? I must have said something, but I can t recall. At any rate, there was a prolonged period of silence. Like a deep hole in the middle of the road that the two of us were staring into from opposite sides. Then, without a word, as if he were gently placing a fragile piece of artwork on the floor, the man hung up. I stood there, in a white T-shirt and blue boxers, pointlessly clutching the phone.
How did he know about me? I have no idea. Had she mentioned my name to her husband, as an old boyfriend? But why? And how did he know my phone number (which was unlisted)? In the first place, why me? Why would her husband go to the trouble of calling me to let me know his wife had died? I couldn t imagine she d left a request like that in a farewell note. We d broken up years earlier. And we d never seen each other since not even once. We had never even talked on the phone.
That s neither here nor there. The bigger problem was that he didn t explain a single thing to me. He thought he needed to let me know his wife had killed herself. And somehow he d gotten hold of my phone number.
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Beyond that, though nothing. It seemed his intention was to leave me stuck somewhere in the middle, dangling between knowledge and ignorance. But why? To get me thinking about something?
Like what?
Like what?
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Autoren-Porträt von Haruki Murakami
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Hans Christian Andersen Literature Award, whose previous recipients include J. K. Rowling, Isabel Allende, and Salman Rushdie.www.harukimurakami.com
Bibliographische Angaben
- Autor: Haruki Murakami
- 2018, 240 Seiten, Masse: 12,8 x 20,3 cm, Kartoniert (TB), Englisch
- Übersetzer: Philip Gabriel, Ted Goossen
- Verlag: VINTAGE
- ISBN-10: 1101974524
- ISBN-13: 9781101974520
- Erscheinungsdatum: 19.04.2018
Sprache:
Englisch
Pressezitat
One of the Best Books of the Year: The Washington Post, NPR, and Esquire[A] beguilingly irresistible book. Like a lost lover, it holds on tight long after the affair is over. The New York Times Book Review
Classic Murakami. . . . [His] voice cool, poised, witty, characterized by a peculiar blend of whimsy and poignancy, wit and profundity hasn t lost its power to unsettle even as it amuses. The Boston Globe
Time and again in these seven stories, Murakami displays his singular genius. Los Angeles Times
Intimate, captivating and poignant. . . . A short story is brief enough to be perfectible and Men Without Women showcases that. The Kansas City Star
Beautifully rendered. Financial Times
Affecting. . . . Murakami is a master of the open-ended mystery. . . . His meandering, mesmerizing tales of profound alienation are driven by puzzling circumstances that neither his characters nor readers can crack recalling existentialist Gabriel Marcel s assertion that Life is not a problem to be solved but a mystery to be experienced. The Washington Post
[Murakami] remains in top form. San Francisco Chronicle
Each of the seven stories here [is] a gem in and of its own right, but strung together they re a sparkling strand of precious stones, the light refracted from each equally brilliant but the tones varying subtly. . . . I have something of a love/hate relationship with short stories. Too many mediocre offerings leave me despairing of the genre, but then a collection like Men Without Women comes along and all is forgiven, my faith restored in the recognition of how utterly perfect the medium can be in the right hands. Lucy Scholes, The Independent
Charming and funny. Vulture
The best of these stories hold the excitement of a quest: These odd episodes of awakening desire show men startled into an awareness of how they have shorted themselves on life. Minneapolis Star Tribune
Murakami s
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greatest strength is his creation of environments just eccentric enough to wrong-foot you not exactly magical realism, but perhaps enigmatic realism. . . . When his writing is at its best, his characters act as a fisheye lens through which to scrutinize a slightly off-kilter world that surrounds them. The New Republic
Masterful. . . . The mundane gives way suddenly, like an ice floe cracking under our feet, only to reconstitute itself a moment later and swallow up that brief glimpse of what lies below. Vice
A whimsical delight. . . . Sanity might be overrated, but Murakami is surely not. The Christian Science Monitor
Masterful. . . . The mundane gives way suddenly, like an ice floe cracking under our feet, only to reconstitute itself a moment later and swallow up that brief glimpse of what lies below. Vice
A whimsical delight. . . . Sanity might be overrated, but Murakami is surely not. The Christian Science Monitor
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